Scrolling through Lana Sheen’s Instagram account, @decenails, makes you wonder if you just found the nail tech of your dreams or the best girlfriend ever. We’ll save you some time and let you know she’s both those things! Lana speaks of her art and career from the perspective of someone who, rather that touting inexplicable natural-born talent, stresses the importance of practice, perseverance, and persistence. Though she graduated from the Nail Studio program only a year ago, her feed presents the kinds of artfully crafted nails and nail art that you’d see in famous international salons. Quirky, adorable, and a near-bonafied Disney princess (Ariel, of course), Lana makes sure her nail art —and her life—is rooted around her truest, most authentic self at all times. That, and a good meme!

I can’t wait to ask this question—what is the story behind your Arthur’s fist nail art?!

OMG! It’s a funny story actually. Usually, when I’m doing a new set of nails at home,  I try and create sets I think lots of other people would like, using colours and trends that are popular in the salon I work at or on Instagram. But I’ve been trying to force myself to create sets that I like that I come up with. That night, I was home drinking wine and scrolling through memes—which I love—I came across that Arthur one with a clenched fist and I don’t know why, but all of a sudden I was like “I have to do this!” So I started painting and I was giggling the entire time. When I was done and I posted them, they got the best reaction out of anything I’d ever done! That was a big lesson for me. Since then, I’ve focused on ignoring what’s ‘popular’ and just creating things that I feel like creating.

It’s such a great set! The other post of yours we have to hear about is your Ariel nails that show your nail art progress. The difference is crazy! It had me shook!

Oh gosh, that had me shook too! Sometimes I forget where I started. Now when I do nails, it’s almost like I black out and when I’m done I come to and it’s like ‘Shit, did I do that?!’ And sometimes if you’re having a hard day, it really makes the practice feel worthwhile even when it doesn’t feel like it’s paying off. Practice is so important!

Is that the advice you would give to up-and-coming Nail Artists?

Oh, absolutely! I started doing nails back in 2011 and I wasn’t good. Like, at all. But I was determined and I kept practicing. It’s really so good to look back on how far you’ve come no matter what you do. It makes the progress a tangible thing and it feels so good to see improvement for yourself rather than just having people tell you. I posted the different versions of my Ariel nail art partially because I was proud of myself but also because I wanted people to realize you don’t just start amazing at what you do. It took years for me to get to where I am now.

You’ve been doing nails since 2011?!

Yes! And that’s also a funny story. I was 13, in middle school and this girl came to class one day with these cheetah print nails over the prettiest ombre and she got so much attention…and I got so jealous! I decided I wanted to be able to do nail art like that and so I started practicing on myself. I’m pretty competitive so I just kept going and kept practicing and I started enjoying it too much to ever stop. So, shout-out to Juliana because her nails got me into nails first!

So your family wasn’t surprised when you went to Nail School?

No, my whole family is super artistic but I wasn’t until I started doing nails. It got to the point where I genuinely wondered if I was adopted—and so did they! So when I started doing nail art they were all like “Ohhhhh this is your thing!” Now I show them everything I paint, they’re the best support system ever.

What ended up leading you to Blanche Macdonald and the Nail Studio program?

I had a friend who was going there for Makeup and she called me and was like “You have to come to this school. It’s the best!” I didn’t know what I was doing or even have a place to stay but I already knew I was going to love it. Looking back, I can honestly say it’s one of the best decisions I’ve made. I spent a while looking at other schools and a ton of time thinking about what I was going to do with my life. I wanted to take nails but I was always asking “yeah but, will it sustain my livelihood?” But it felt too right not to do. I chose Blanche Macdonald because you only learn the basics once so why not learn them at the best place?! It was such an easy decision.

That’s incredible. And how was your time here?

Oh I have so many nice memories. I loved everyone in my class and we all bonded immediately. We had this group text message and we would send each other memes, homework, we’d encourage each other if we weren’t feeling confident—we were such a great team. And the instructors! Amanda and Christy, they were so nice and helpful and just so sweet to us all the time.

And now you work in a salon in Victoria?

Yes! I got a job in a salon in Victoria called Deco de Mode and it’s been incredible. The Nail program really set me up for success. The cleaning and sanitization we learned is so, so important. It taught me how to find a good, safe place for me to work as well. It is definitely the biggest thing I got out of the program.

If you could do any celeb nails, it would be ______.

Ariana Grande. I’ve painted her face on countless nail sets. I’ve got ‘crazy fan’ status already!

Pastel or Neon?

Neon for sure! I love bright things. Anything to catch the eye.

Matte or shine?

Shine!

What’s your favourite thing about doing nails?

Making people happy 100%.

Did you ever think about doing anything else as a career?

Honestly, not really. I’ve had some health problems over the years so for a while I thought about nursing so I could help other people when they’re sick. But my passion for nails was just too strong. I couldn’t ignore it!

The post Nail Studio Grad Lana Sheen Lacquers Nails and Hearts in Victoria appeared first on Blanche Macdonald Centre.

Makeup is a global business, and few artists demonstrate that as eloquently as Fashion Makeup Artist Jerry Kuo. Jerry’s Makeup adventure has taken him from his home in Taiwan to Vancouver (to study Global Makeup at Blanche Macdonald, naturally), to New York Fashion Week and back to Asia where his work has featured in the Chinese editions of international titles including Vogue, Elle, FHM, GQ and Harper’s Bazaar. It turns out that determination and a willingness to follow your dreams can take you a long way. Literally.

“Growing up I originally wanted to be a fashion designer,” recalls Jerry, “but every time I would walk past MAC counters in department stores, I would always find myself fascinated by those beautiful makeup products and brushes. One day I watched the Taiwanese movie ‘Touch of the Light’ about a pianist and dancer chasing their dreams. That totally inspired me to do something I really want to.

“After I finished my military service, I got a good job as a buyer at a trading company. After about a year and a half, I knew the job was too comfortable and cosy for me. I could see what life would be like if I was still doing this at 50. That’s when I told my family that I wanted to go abroad to study something important to me.”

Determined to make Makeup his career, Jerry studied English before approaching a school in Sydney, Australia. He had one foot Down Under before complications with his application shut down his plans to head south. Every cloud has a silver lining however, and this particular disappointment allowed Jerry to reset his sights on Western Canada.

“I had a friend who lived in Vancouver. I asked him what he knew about Blanche Macdonald. He told me that the school is famous which prompted me to contact Zoe Cheng, who I knew had won the Prosthetics competition at the Vancouver IMATS. She told me that if I wanted to learn fashion makeup I should go to Blanche Macdonald.”

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Blanche Macdonald subverted my imagination and ideas. Timothy Hung showed us a demo that totally broke my thinking about makeup. Makeup shouldn’t be limited.

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Jerry’s second attempt at enrolling at an international Makeup School went smoothly, and one flight later he was nervously sitting in Lesley Opheim’s Makeup Fundamentals class.

“Back then my English wasn’t so good. I was afraid that I wouldn’t understand, but Lesley was like a mother to us. I remember her getting us to clean our brushes before class and how she would check them every day. She taught us how to set up our stations and keep everything hygienic. Once I started working in the industry I realized how important details like these are.”

As the weeks flew past, Jerry’s creative and career paths expanded before his eyes.

“I’m a naturally conservative person. Blanche Macdonald subverted my imagination and ideas. Timothy Hung showed us a demo that totally broke my thinking about makeup. Makeup shouldn’t be limited. The way you’re layering, shading and texturing can all create hugely different effects.

“We were lucky enough to have Jenna Kuchera as our fashion instructor. She rocks with her amazing skills and ideas. Jenna invited me to be her assistant on a Marianas Trench video and at the Backstage with Pat McGrath competition, which she won!”

Inspired by his instructors, Jerry also made a special connection with one fellow student, future makeup superstar, Mimi Choi.

“Mimi is like my sister. We’re very similar. We both left our original careers and jumped into studying makeup. She’s a very positive person, and has often encouraged me not to compare myself with anyone. It’s more important to find out my own way and own style. I’m not surprised that she’s so successful now. She’s worked so hard. She totally deserves her success. Even though she’s so busy now, she still cares about me and is always sending me messages. I have to admit that I really miss those days after class when we’d go to the beach, relax and discuss makeup.”

Jerry’s immersion into makeup in and out of the classroom led him to volunteer opportunities, including backstage work at Miss World Canada and multiple shows and shoots during Vancouver Fashion Week.

“I was able to work with some of my favourite photographers and, most importantly, learned the importance of communicating with a team.”

All the lessons Jerry took from Blanche Macdonald have been employed on his dazzling career since graduation. He was brought onto the makeup team for Laurence and Chico’s show at New York Fashion Week 2016, and with high profile shoots in Vogue, Elle, Harper’s Bazaar, GQ, FHM and an ever-growing list of underground fashion magazines, Jerry is rapidly on his way to becoming one of China’s new makeup stars.

“My most memorable memory would probably be when we shot Vogue magazine. Because it’s VOGUE! I admit that I screamed the moment I got booking from the editor.

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Makeup should be fun, so open your heart and forget the rules! Have confidence in yourself. Don't be afraid to fail. It’s more important to try.

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“I remember every single shoot deeply. They’re all a part of my experiences. I really like what I am doing now. Even though it’s a dream come true after each published photo I’m still looking and thinking about where I can improve or how I could make it better next time. Of course I have my own sense for beauty but I think a lot of my success is because I have a good personality and can communicate. A good idea is always welcome but it’s even better to have good communication with the team so you can find a balanced way to show those ideas and make your clients happy.”

Makeup skills and communication go hand in hand with the underrated art of preparation, especially when working with editors, models and photographers for the first time.

“When I get booked the first thing I do is check the details on the editors’ callsheets. Sometimes there’ll be a request to provide makeup reference photos. In that case I’ll research and take a look what on trend. I’ll talk to the editors and look of the models’ cards to give me ideas. I’ll check the photographer’s shooting styles, the lighting effects they use and whether we’ll be shooting indoors or outside. Makeup products can look very different under different lighting conditions. You will never want to open your makeup case and realize you don’t have something you need when everyone is waiting and watching you. It’s hard to have information about every single detail, especially when you’re working with someone new, but the more you’re prepared the more comfortable the entire experience will be.”

The makeup journey that continues to take Jerry around the world has only just begun but he’s still happy to share the wisdom that’s taken him so far so quickly.

“Makeup should be fun, so open your heart and forget the rules! Have confidence in yourself. Don’t be afraid to fail. It’s more important to try. Just paint, even if you’re using your fingers!”

The post Jerry Kuo: International Master of Makeup appeared first on Blanche Macdonald Centre.

“My mother is an artist, so growing up I was always engaged in some art project. She encouraged me to be creative and to think outside of the box from an early age” explains Toronto Fashion Designer and Blanche Macdonald Fashion Design graduate Hilary MacMillan.

Every designer’s story is a little different; for some, it takes time for the realization to slowly dawn, but for others, it’s an innate sense of purpose. For Hilary, it’s as though every step along the way was kismet, propelling her to where she is today.

Toronto-raised, Hilary came to Vancouver to pursue a Degree in Political Science and Economics at the University of British Columbia. However, she decided to change direction, recognizing that her life-long love affair with fashion could, in fact, become her career.

With a clear artistic vision and a passion to create for the modern urban women she’s surrounded by, Hilary’s namesake label has been turning heads since its inception in 2012. Fast forward to present day, Hilary has established brand stockists in Canada, the United States, and Morocco, been requested by celebrities to pull her garments for Toronto International Film Festival, and has shown both Fall and Spring collections at Toronto Fashion Week. Our conclusion: this was always her calling.

Following her graduation, Hilary moved back to Toronto to help her sister with her independent jewelry store, Elle Hardware, in the chic and artistic neighbourhood of Queen Street West. Toronto, often referred to as Canada’s Fashion epicenter, is fuelled by a collaborative creative energy. This vibrant and rich arts scene is home for Hilary. Using the skill set and training from her time in Vancouver, her strength and aptitude for design were able to take flight. Maybe it was the ever-inspiring climate of her urban neighbourhood, or just a yearning to create, but it was during this time that Hilary designed her first independent capsule collection.

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I started to show at Toronto Fashion Week. This propelled my designs further into the industry. People were beginning to recognize my brand and who I was. It was a very exciting time.

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“I had designed a capsule collection and I was able to sell it at ELLE Hardware. I was fortunate to have this outlet to see how customers responded to my garments and reacted to each piece. From there, I started wholesaling to other boutiques and attending trade shows to gain contacts within the industry.”

Armed with insider knowledge on her garments’ appeal, Hilary was ready to take the next big leap.

“I did a couple more collections like this and then I started to show at Toronto Fashion Week. This propelled my designs further into the industry. People were beginning to recognize my brand and who I was. It was a very exciting time.”

Hilary pulls inspiration from a myriad of places: her Scottish heritage, her love of realist art, and her passion for travel. The latter can be seen in her Spring/Summer 2019 collection which was inspired by Moroccan tiles she saw while sight-seeing. She also draws from nature, including the Canadian landscape, and the history of fashion itself, with the 1970s being a favourite reference in her recent work. Reflecting back on her time at Blanche Macdonald, it’s evident that her education continues to be a contributing force behind her collections.

“I loved Fashion History and learning about past designers and design history. I’ve always been inspired by past decades and I still think back to that whenever I’m producing a new collection. It’s all in the details: epaulettes, military, corsetry. I carry this knowledge forward as it is still a huge inspiration for me.”

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I am constantly growing as an artist and discovering new techniques. Each season I like to see how I have improved from the past seasons. This really drives me to try and discover new ways to be inventive and push myself.

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While at Blanche Macdonald Hilary took advantage of a multitude of opportunities, knowing they would be critical for her career.

“During my time at school, I interned with Vancouver-based designer Erin Templeton and volunteered as a dresser as much as I could, gaining the inner workings of behind the scenes of a Fashion Show. Most of the Instructors at Blanche Macdonald are working in the industry and they are there to help set you up for success. A standout instructor for me was Jenny Hedberg. She had her own design company and gave us real insight into the skills we would need to make it.”

Hilary has built a career around creativity and passion, which only becomes more evident with each new collection she designs. Though each season allows Hilary to soar higher, she still has a clear memory of her most momentous collection.

“My most memorable collection to date would be Fall/Winter 2014. This is when I started developing my own prints. My mother is a realist painter and so she designed this beautiful pheasant which we produced as a repeat pattern on fabric. Since then, I have always tried to develop a print that is aesthetically me; keeping a signature pattern each season.”

Designing custom prints each season adds complexity to Hilary’s collections, illustrating just how much her design abilities have grown.

“I am constantly growing as an artist and discovering new techniques. Each season I like to see how I have improved from the past seasons. This really drives me to try and discover new ways to be inventive and push myself.”

After Toronto Fashion Week’s three year hiatus, she is excited to return and show her collection on the Spring/Summer 2019 runway. ”This season we’re doing more of a theatrical presentation. We’re making it a show show. It’s an opportunity to be creative and really show our stuff”.

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We submitted some items to Sophie Grégoire Trudeau. We weren't sure if she'd be wearing our garments so seeing her in our outfit was really awesome!

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Off the runway, her garments have been spotted on the cover of Glow Magazine and on actors Kim Cattrall, Elisha Phaneuf, and Olympian Tessa Virtue. She has even had the opportunity to dress Mme. Sophie Grégoire Trudeau for a video appearance at the Canadian Art and Fashion Awards. “We submitted some items to Sophie Grégoire Trudeau. We weren’t sure if she’d be wearing our garments so seeing her in our outfit was really awesome!”

For Hilary these are the just some highlights of her career so far, but there is so much to look forward to on the horizon. “We’ll be in 5 Hudson’s Bay stores across Canada and on E-commerce as well with our Autumn/Winter 2018 collection”. Having her garments in a cross-Canada retailer is monumental for Hilary. “Getting into a national retailer is the biggest thing for us. They have such a big reach across Canada so it’s an amazing accomplishment!”

There are exciting developments in-house too. The Hilary MacMillan label will become a fully vegan clothing line by 2019. “My collections used a lot of fur and leather about three to four years ago. I became more aware of what goes on in the industry and I didn’t feel comfortable using those materials anymore”.  Hilary continues “It’s been a slow process, one that took a lot of research and time. We’ve already cut out leather, fur, and feathers and in this upcoming collection there will be no silk or wool”. This thoughtfulness that Hilary brings to her brand is what helps win her so many fans; that and the cutting-edge nature of her collections.

Innovation, ambition, and talent: Hilary is the embodiment of these qualities and the prime example of what comes when you pursue what you love.

“I love when I see someone wearing my garments. The fact that they chose that piece to put on that day, that someone actively sought out something you created and wanted to wear it—it’s a big moment.”

We know for Hilary, there will be many more big moments to come.

The post Fashion Design Graduate Hilary MacMillan Dazzles at Toronto Fashion Week and Beyond appeared first on Blanche Macdonald Centre.

If we could sum up our weekend at IMATS Vancouver 2018 in just a few words, we could call it “a whirlwind of excitement”! With makeup demonstrations, on-stage panels and presentations, and the chance to shop all of the newest releases from the world’s top beauty brands, inspiration could be found around every corner. In typical IMATS fashion, there was so much to do and so much to see; Vancouver’s most enthusiastic makeup lovers could not contain their excitement.

Even though there were many keenly awaited moments, the most hotly anticipated aspect of IMATS Vancouver had to be the abundance of opportunities for spectators to learn from some of the true masters of the art of Makeup. Presentations by beauty legends like celebrity artist Roque Cozzette, film artist Ve Neill, and Suva Beauty’s founder Shaina Azad inspired the crowds that gathered around the main stage.

Insta-famous Makeup Artist and Blanche Macdonald graduate Kelseyanna Fitzpatrick took to the IMATS Vancouver stage on Saturday morning. She guided the crowd through her process for creating one of her trademark avant-garde looks. Informed by her background as an oil painter, Kelseyanna brushed on thick, impasto-like layers of cosmetic paint. The result was one unbelievably cool look that blurred the lines between beauty and art. It makes sense that this is an approach that Kelseyanna would bring to the beauty world, “I started as a painter and I got into makeup because I wanted to play around on a new canvas, using a new medium. I came at it from an art perspective and my style has always been more avant-garde and abstract. I’ve always been into dramatic art that makes you think.”

On Sunday, Kelseyanna brought her artistic perspective to the Blanche Macdonald/CurliQue Beauty booth, where she showed off an ethereally gothic look. This time she was influenced by the idea of juxtaposing something beautiful with something grotesque. “For the past little while I’ve been really inspired by combining beautiful with horrific,” she explained. “that’s why I used the kind of ‘gross’ colours with beautiful shimmery ones. I’ve also been exploring the idea of emphasizing certain features in a more horrific way like I did around the lips.” The shimmering jewel-toned blue shadow placed on the lids partnered with the muddy brown and mustard yellow contour shades helped bring this vision to life.

Internationally acclaimed makeup artist, famed illusionist, and Blanche Macdonald graduate Mimi Choi was also on hand to serve up wisdom and inspiration to beauty lovers. Saturday, fans had the chance to witness Mimi’s makeup magic in person as she painted a bewitching skull illusion at Makeup Artist Magazine booth. Sunday, she joined Kelseyanna at the Blanche Macdonald/CurliQue Beauty booth where she once again showed the precision that goes into crafting one of her makeup illusions to ultimately create a stunning monarch butterfly illusion, richly painted in purples and oranges.

More excitement came to IMATS Vancouver with the arrival of the highly revered, new-makeup-grads-only competition—Battle of the Brushes. The Battle debuts new Makeup Artists and gives them the chance to show off their skills in a professional competition for the very first time. Saturday’s competitors duked it out in the Character/Prosthetics category, where they challenged to create eccentric characters based on a Victorian Emporium theme. Sunday’s Beauty/Fantasy competition brought two Blanche Macdonald graduates, Li Wei He and Emily Ngo together; stepping up to the plate and competing in the city’s most competitive makeup ring. The freshly minted Makeup Artists were tasked with creating wondrous Wildwood Warriors that encapsulated feelings of fantasy, earthiness, and female empowerment.

A competition of this calibre can be intimidating, and behind-the-scenes emotions were running high. “I feel so excited,” Li-Wei gushed. “I feel like my one year of hard work is paying off!” Going into the battle, Li-Wei had a clear vision of what he wanted to create. “I love the idea of Mother Nature as a warrior,” he said of his inspiration. Li-Wei’s goal was to capture the complexities of women by showing both the powerful and sensual sides of his warrior. “There’s something sexy inside. I love the idea that women can be tough and sexy at the same time.” For Li-Wei, the competition was a way to reflect on everything that he has learned so far as a Makeup Artist and to show his appreciation for support system, remarking “it’s a way to honour everyone who supports me”.

For Emily, the battle’s early moments brought on nerves, “starting off I was kind of scattered. Getting the ball rolling was the hardest part,” she explained. The battle was not without its challenges, but Emily found her footing along the way, “my airbrush stopped working so I had to adapt and paint her hands by hand. But it still worked out! I’m really proud of what I did.” Emily’s interpretation of a Wildwood Warrior was influenced by Athena—the Greek goddess of war and wisdom.

Emily viewed the competition as not only a way to express who she is as an artist, but also as a chance to test her boundaries.  “A lot of competitors have done darker looks, but that’s not really the kind of artist I am. I like ethereal and my work tends to be more natural. It’s a real push for me to be competing in this and to do more dramatic makeup.” Her final look incorporated regal purple tones and soft touches of gold leaf that kept the look dramatic, while still reflecting her affinity for the ethereal.

In line with the event’s mood, the Blanche Macdonald/CurliQue Beauty booth was rife with inspiration and education as well. Saturday’s line up included demonstrations from artists and Blanche Macdonald instructors Jennifer Little and Daemon Cadman, who showed off their skillful airbrushing abilities. Airbrush in hand, Jennifer created an intricately layered body art piece entitled Sacred Energy. “I’ve been dreaming up this one for a while,” Jennifer explained. “I wanted to do something really bright and energetic, so I knew that I wanted to have the electricity in there. And sacred geometry is something that has just been really intriguing to me recently, so I just went with it.” Going with the flow is how Jennifer found her love for airbrushing in the first place, “I’ve always been really creative and into painting and making a mess. It was just kind of a natural progression into makeup. And with makeup I started on the face, the body is just a bigger canvas so I just naturally gravitated to it.”

Drawing from the idea of gothic golds, Daemon painted her model in metallic armour accented with touches of red and black. Outlining her creative process Daemon explained, “I usually start with the wardrobe because that’s what going to take me the longest. I can build the makeup around that. With this one, I was just going for gold, goth, and Halloween.” Daemon didn’t need to look too far for inspiration, “I’m a recovering goth and I love Halloween so those are my reference points! I didn’t even have to research it.”

As a frequent collaborator on film sets, Daemon often has to strictly adhere to a shared vision. However, creating at IMATS Vancouver presented a unique opportunity to improvise. “Most jobs I have you have to execute exactly what is laid out in front of you. That’s actually what’s great about being at IMATS. It’s kind of a free-for-all!” Daemon stresses that no matter what she’s working on, flexibility is essential. “Adapting is key. That’s part of being a makeup artist, you’ve got to adapt. You can’t always start over so just make it work and turn it into something. This makeup changed about four times today!” she laughed.   

Something that every demonstrator stressed was just how significant IMATS Vancouver is to them. Jennifer summed it up simply as “creativity, artistry, beauty, and fun.” Daemon spoke about her love for the connectivity IMATS affords. “IMATS is all about creativity. It’s the chance to get together with peers to see what everyone is [working on].” Kelseyanna emphasized not only the excitement of IMATS Vancouver, but also how the event inspires prolific artists to keep challenging themselves. “I love IMATS. I’ve been coming since I was 15 years old. It’s always exciting. My favourite thing is getting to watch other artists do presentations. I always learn so much. Sometimes when you’re working you stop learning, so any chance to learn new things is the best.”  

At the end of two action-packed days at IMATS, we couldn’t help feeling inspired, elated, and in awe of the artistry and the industry we are so lucky to be a part of. The outpouring of creative energy that surrounds IMATS Vancouver is something that enriches all of the attendees. The bountiful enthusiasm and passion for all things beauty was something that every makeup artist at the event had in common, and it was completely infectious to other attendees. IMATS Vancouver has always been the ultimate space for artists to celebrate their love for makeup, and this year’s event was no exception.

The post IMATS Vancouver 2018: a Celebration of Creativity, Artistry, and All Things Beauty appeared first on Blanche Macdonald Centre.

Master executor of the Insta-famous ‘soul eater lips’, Kelseyanna Fitzpatrick’s avant-garde makeup looks are haunting, ethereal, and exquisite, but above all, they speak of her immense talents. The further you delve into her feed, the further you fall down Kelseyanna’s beautiful rabbit-hole and the more you understand her well-deserved reputation in the beauty industry. As the creator of looks that belong both in a museum and on a runway, it would be understandable if Kelseyanna was just a tad bit boastful. But instead, her voice rings through the phone, humble and soft-spoken—though punctuated with the odd ‘meow’ as her rescued kitties compete for her attention.  As we begin our conversation, she unfolds her story from the beginning, from where it deserves to be told.

You were born in Australia but have lived in Holland, the Czech Republic and Canada. Where did you spend the majority of your time growing up?

I spent most of my young time in Australia and the Czech Republic. I didn’t move to Canada until I was eight years old.

How did traveling to and living in such varied places shape your perception and understanding of the world as you grew up?

It changed me a lot! I never felt tied to anywhere because we moved around so much. But in these places, I was lucky enough to grow up in classes with 20 kids where everyone was from somewhere different. The biggest culture shock was moving to Canada where people weren’t used to others being from a different place. I depended on myself a lot so it didn’t really matter what people thought of me, but it definitely made me feel like an outsider. That’s why I did a lot of art and tried to focus on myself. I’m autistic so I was never socially inclined anyways. Finding ways to block out the world is crucial for me and deep diving into art is a good outlet.

And what was it that made you decide to pursue makeup over another artistic medium?

Art was always my favorite thing in the world. School was kinda hard for me so I spent every minute that I could in the art room. I loved abstract painting and I wanted to paint on all kinds of different canvases, specifically the human body, which I ended up doing for a project. That kind of sparked my interest in body painting and makeup.

It seemed to work out pretty well—you ended up as the youngest member and one-quarter of Kat von D’s Artistry Collective for a while! Can you tell us a bit about what you did there?

Yes, I was! We traveled the world teaching and educating consumers and other professionals about the line, doing editorials, campaigns, product development—basically anything that the brand needed.

It’s no secret that Kat plucked you from the depths of Instagram herself based on your beautiful creations. How did you get her attention? Is there a secret to the tags, hashtags, or frequency of posts?

I’d say it’s more about the content of your work than anything that you could hashtag or post about. I took the time to learn how to take nice photos, for example. My Instagram is really just me being myself and being different from the other stuff out there. It can be scary to just be yourself but for me, it’s been kinda amazing to see how people respond when you do something different.

That’s so cool. How did you end up choosing our Global Makeup program?

At the time I didn’t know anyone who was into Makeup or working as a Makeup Artist. I had some meetings at a few schools but when I went to Blanche Macdonald, everyone was so inspiring and made me excited for my future in Makeup. That’s why I chose to come to Blanche Macdonald.

 And how would you describe your time here?

AMAZING! Going to Blanche Macdonald has had ripple effects throughout my career, for sure. Everything really awesome that has happened to me has tied back to going to school there. It was so much fun and very humbling—it was where I learned how to be professional. I definitely want to thank the teachers and staff there who have supported me all throughout my career.

That is so great to hear. What was your experience like with our Makeup Careers Department?

I spent a lot of time communicating with them. They’re really amazing because they pushed me to enter the Battle of the Brushes competition at that year’s IMATS, which was huge for me. They also constantly shared my work which helped people know who I was when I was trying to start my career.

Is there training you received here that still plays in your mind when you’re out working?

Oh, absolutely! There are three teachers, specifically, who have really inspired me to become the artist I am today. The first would be Timothy Hung who always told us to “take your time and learn to do your craft right the first time.” That has always stuck with me when I’m working. The second would be Dae[mon Cadman]. Her dedication to perfection is astounding and she’s so hilarious. She taught me everything to do and not do on set. The third would be Holland [Miller]. His prosthetics work was so intricate and difficult! I always remember the time I was working on a short film in the middle of nowhere and I had to make a blood pump from nothing and Holland let me call him and he helped me figure it out on the phone! His dedication to learning is amazing and he’s so kind and humble. His demos in Special Effects still play in my head, even when I’m working in fashion. I think about the stuff they taught me every day and they all still support me to this day—I just feel so lucky to know them all.

They are very special people. Looking at your portfolio, even before working with KVD, you were making a name for yourself as an integral and unstoppable force on the Vancouver creative scene. Your name is on tons of editorials for publications like I-D, Dazed & Confused, Toksick Mag, Schon Magazine, Fucking Young!, LEEN Mag, as well as lookbooks, eCommerce, and campaign beauty stories for Aritzia, Kit & Ace, Herschel Supply Co., and Burton Snowboards. You also competed in the 2014 IMATS Vancouver Battle of the Brushes Competition where you took 3rd place in the Beauty/Fantasy category. So what are you doing in Makeup now?!

I was so lucky to get the jobs I did in Vancouver and make the connections I did. And it’s been so great to return to them full-time. I wanted to make sure to take some time to really recharge myself and get ready to create again. I’ve started with a few shoots with some of my friends here and I recently did the makeup for the Blanche Macdonald Annual Fashion Showcase photo shoot which was incredible. It’s so great to work with them after going to school there. But I’m pretty much just back to working behind the scenes. That’s my true love and the way that I feel I pursue my art best.

You’re repped by Vancouver creative agency, NOBASURA worked with NOBASURA Director Jon Hennessey quite often. How did you make that initial connection with Jon? What has your experience been like with Jon and Nobasura?

Luckily for me, Jon followed my work on Instagram and he believed in me in the early stages of my art. He would come to see me at the makeup counter I used to work at and one time he asked me to assist him which was THE COOLEST THING THAT HAD EVER HAPPENED TO ME—at the time! We became good friends and he invited me to become part of the NOBASURA family, they gave me a place to belong that always feels like home. I transitioned from assisting to also working on my own on many sets I couldn’t have imagined, thanks to him. Between assisting Jon & fellow member Christopher Deagle (Hair Artist), they have pushed me to be the best artist I can be and changed how I work forever. I couldn’t be more grateful. BE GLOBAL, ACT LOCAL.

What would you tell other up-and-coming Makeup Artists about marketing themselves on social media hoping to attract the brand of their dreams?

Use it to your benefit and have fun! Be yourself and if you like being different, go for it. That’s what’s going to get attention. Make sure to tag brands you like, too!

Your style has remained uniquely yours. How did you tap into that style of art and what made you decide to keep going with it?

I feel like my style is always evolving but mainly it comes from my art background. I get inspiration from everything I see. When I first started, I was doing regular beauty looks but I found that in order to stand out, you have to be different. The most powerful thing you can do with art is make people have a reaction—even if they don’t like it. So I’m always pushing myself to do stuff I haven’t seen or haven’t done myself. I have always been drawn to things that are shocking and bizarre and that’s definitely influenced my makeup style.

Alongside avant-garde makeup, a big part of your Instagram shows you, alongside other animal-friendly humans, participating in anti-slaughter protests. Has this always been something that’s close to your heart?

Animals have always been super close to my heart. When I was little, my interests were art and animals. I’ve made stands where I could, like using cruelty-free makeup and transitioning from being a vegetarian to being a vegan. Within past year, I’ve gotten into activism as well. Sometimes that involves going to vigils which is where you stand outside of slaughterhouses and hold signs in support of the animals. Sometimes it’s giving pigs water as they go by in the truck on their way to the slaughterhouse. It’s just about showing support to the animals and being their light and voice as much as you can. I think the best thing I can do is share what I’ve learned and what I see on my Instagram and use my platform for that.

Speaking of, your platform has blown up over the last few years. How did it start? Do you find yourself getting recognized when you go out?

I started for fun really just posting makeup looks that I would do, and then take off very fast! As a socially awkward person, I took advantage of this as a way to get myself out there. I started putting a lot of work into my own posts and was doing shoots every week with my friends. I no longer have time to post consistently, but when I do it is very important to me that my heart & integrity is in everything I post. I am so thankful for everyone who supports my work—my life would be very different without them. And yes, I get recognized a lot it surprises me always, haha!

The post Creative Vancouver’s Crown Jewel: Kelseyanna Fitzpatrick appeared first on Blanche Macdonald Centre.

If you’re ever in Switzerland, do us a favour and tell Jose Macuroy, aka Jojo, we say ‘hi!’ Or do yourself a favour and make yourself an appointment at his European esthetics studio, Jojo Esthetics, in Basel.

Had Jojo’s life happened the way he planned, he might be getting beauty treatments in between dance performances but an injured knee seemed to project his life onto another path filled with skin care, makeup, and nails. Though he originally planned to open a space in Germany after studying in Vancouver, Jojo is now happily nestled in Switzerland proving that the life of an Esthetician can be found anywhere in the world. With more plans for his studio than he can even put into words, Jojo is ready to tackle life and esthetics in Switzerland. And if nothing else, his work in esthetics has upheld the tradition of him being outnumbered by girls, “I was the only boy in school but I never care about that. I’m the only boy EVERYWHERE!”

You’re living the dream—you’ve got your own Esthetics studio, Jojo Esthetics, in Switzerland! How did that happen?

I never planned to live in Switzerland, actually! I always thought I would come back from Canada and Blanche Macdonald and open a studio in Germany where I had been living, but my partner got a job offer and so I thought “Why not?” We got this home with the perfect extra room to make into a studio so I’ve really put work into it so it feels comfortable for the client.

Can you tell us a little about your town, Basel, and the clients you typically see?

Basel is best known for its international museums but it’s also the centre of the chemical and pharmaceutical industries, as well as the home of many international banks. My clients are a mixture of Swiss people and the people who work in those industries which means they travel fairly often. A lot of people come here to work from Germany, France, and Italy.

Was it hard to get set-up there?

It’s definitely different! I had to learn the rules, the culture, and what people want in a European Esthetics Studio but I just started slowly doing my research and getting to know the country and once I got started, it wasn’t really that hard! Now I love Switzerland so much.

How did you promote yourself in a new country and get clients?

I do a lot of posting on Facebook and I also constantly network with people! I use social media to connect with people and find projects I can join in on that fill my schedule. Building a client base is a big job. But I make sure that every client I have now leaves loving their treatment. Positive word-of-mouth is the only promotion that will definitely bring other people in!

Were you nervous starting your own studio?

Oh my god—I was feeling everything! It really was a mix of every emotion. Mostly a fear of failing, that it wasn’t going to work out, and the opinion of other people. But really, it’s about me and my abilities and what I want to do. I still have my moments but I’m always pushing myself to think outside of my fear and not let it scare me.

OK—let’s go back a little. You were living in Germany, what made you leave and come to Canada?

Well, I’d grown up in Vancouver and I was studying to be a professional dancer. I took dance, I taught dance, and I thought I was going to be a professional dancer until I hurt my knee and couldn’t train anymore. After that I was kind of lost. I met someone who was from Germany so I thought I would give that a try. I was working at Starbucks and so I put in for a transfer and moved to Germany. Once I got there I realized that I still wasn’t very happy. It kind of felt like “This cannot be ‘it’.” As it turned out, I had to come back to Canada when my dad passed away and I was in Vancouver for a month seeing my family. There’s a friend of the family who had a cosmetic studio of his own and he was nice enough to take me to his studio and show me what he did and everything his day entailed—I loved it! The whole way back to Germany, all I could think was how much I wanted to do what he did. I just loved the creativity of it.

And so what led you to Blanche Macdonald’s Esthetics program?

I just started searching the internet for schools. And then I decided that I wanted to study back in Canada because it would be in English and I wasn’t that fluent in German. So I was searching for Esthetics schools and Blanche Macdonald came up as the first result. I loved everything about it right away. I read all the ratings, success stories, reviews, the course descriptions and everything else I could find. Everything was just so much better than every other school—even the images. So I came back to Canada and scheduled a visit with [Admissions Director] Jill [Wyness]. She was so nice! She showed me everything and explained the program so thoroughly – when I left I was like ‘I have to go here!’ I called her back a few hours later and enrolled for the soonest possible date. I would like to thank [Esthetics Director] Simona [Gozner] and all the wonderful teachers: Christina, Chika, Min, Barbara and Amanda; as well as my classmates that became my friends for an incredible program and my success now.

Did you enjoy the program?

Oh my god—it was one of the best times of my life! I really wish the program lasted longer because I didn’t want it to end. I loved the teachers and all the girls in my class. I was the oldest and the only boy but I never felt weird for even a second. There was a group of five girls and I who got really close during the program and we all still keep in touch. It really was the best time. I looked forward to every single day and I never missed a class. Everything I learned in the program I do in my studio now—facials, waxing, nails, and makeup.

So what services do you offer?

I do waxing, massages, manicures, pedicures, brow lifting, lash extensions, tinting and makeup.  Everything I learned in school plus some things that I picked up here in Switzerland!

That’s so good to hear! How was getting work and experience here? Did you connect with the Esthetics Career Department?

I did! We also had all different companies, spas and hotels come and present to our class to interview and recruit people a few times during our program which was so amazing. I went to every one to network and make contacts. I ended up getting a job at Absolute Spa in North Vancouver and meeting Michael Beresford of Moor Spa—whose products I now carry in my studio!

Oh, what do you like about Moor Spa’s products?

I’ve loved them since I met their products. I was using it on myself for a long time and then I got in touch with Michael and said ‘I want an account with you guys. I’m going to open my own spa.’ And so I’ve had my account since then so they just ship it to me in Europe now.

What’s something you find yourself telling your clients often?

That’s actually one of the main differences in culture between here and Canada. In Canada, people always wanted you to tell them things and advise them. Here it’s not like that. My clients talk a lot about what they want and how they want things and so I listen a lot. The best thing to do is to really listen to them and what they’re saying every single time they come in. If they want to know something, they will ask and that’s how you gain respect. If they don’t ask, it’s best not to advise them. I just listen as much as I can so I can have as much information as possible about what they like and want.

That’s very different from Canada! Is there a lot that is different from Canada?

Oh, so much! Culture, people…everything! I think one of the things that seemed so different to me was the mindset. It’s more simple here. More just doing what makes themselves happy and going on with life – less worry all the time about everything. Everyone mostly lives on their own from the age of 18 and up so everyone has their own life they’re trying to sort and plan. It’s a way different culture. Also, people don’t wear a lot of makeup here at all. It’s very natural always, other than maybe special events or occasions but even then, it’s still more natural than North America.

What are your goals for your studio in the coming year?

Growing my client base always! But I’d also like to do more weddings. I’m booked for a few this summer already but I’d love that to be a big part of my business. I like to do shoots as well—I’m basically always trying to fill my schedule with services or makeup jobs – I feel lazy if I don’t! I have so many big plans for my studio but I don’t want to give it all away either! But mainly, my focus is on being there for my clients and being creative with their services. I love Switzerland so I’m going to stay here and watch the seeds that I’ve planted start to grow!

Find Jojo on social media at @jojoesthetics and online at www.jojoesthetics.com

The post Serenity in Switzerland: Jojo Esthetics takes up residence in Basel appeared first on Blanche Macdonald Centre.

Over the course of two unforgettable November nights, Vancouver’s fashion elite witnessed an explosion of new design brilliance at Cherry Bomb, the 2018 Blanche Macdonald Fashion Design Graduate Show.

The fruits of the graduates’ labours were on display at Blanche Macdonald’s Atelier Campus as a pair of invite-only audiences gathered to experience debut collections from some of Canada’s brightest young design talents.

“This group, more than any I’ve worked with here, has a deep understanding of contemporary fashion,” explained Executive Director of the Fashion Design Program, Tyler Udall. “Their baseline fashion dictionary was richer than many past groups, so I was able to push them significantly harder. They certainly rose to the challenge.”

Cherry Bomb was a myriad of cool, chic collections full of cutting-edge modernity.

“This group loved to riff off of contemporary fashion,” continued Tyler. “The designs seemed to have a more upbeat character than previous years. When we did the Show’s photo shoot last month with KT Auleta, we decided to shoot half of it on a cherry red, backlit backdrop and I was very pleased with the end result. I’d been listening to a lot of 70’s rock building up to the show. Sara Armstrong and I both thought that ‘Cherry Bomb,’ reverently borrowed from Joan Jett and The Runaways, would be a fun name for the show.”

The chic collections were perfectly at home in Atelier’s ultramodern architectural space, aided and abetted by backstage styling, makeup and hair teams led by Blanche Macdonald’s own creative masterminds.

“Atelier is hands down my favourite show venue,” Tyler admitted. “It’s such a sleek and modern space. Its capacity is smaller so the show feels more intimate, buzzy and alive. I like fashion shows where you can feel the electricity reverberating.”

Among the 29 graduates enjoying electric nights of triumph, Savana Sheardown had more to celebrate than most. Having come to Design School from the tiny Okanagan town of Lumby, even though Savana excelled during her year at Blanche Macdonald, she was as shocked as anyone to be named as the winner of the awards for both Textile Design and Overall Achievement.

“When Tyler said my name I thought, no way!” she laughed. “My family were at the Show and I know they were really proud.”

The small town girl was destined to become part of the fashion world, even before she’d moved to the big city.

“I always loved sewing,” she continued. “I would make clothes for my Barbies and teddy bears. Once I saw the Fashion Design program at Blanche Macdonald I was like, that’s it, I’m coming.”

Enthusiasm, talent, effort, openness to feedback – Savana had it all, proving that creative success is driven by perspiration as much as inspiration.

“The program was harder than I expected,” she admitted. “Once I figured out pattern making and garment construction it was amazing. I could email instructors on weekends and they’d write right back.

“Making my first pattern for this collection was huge. My illustrations aren’t perfect, but I could envision the ideas in my head and knew it would be different once it was sewn. With every design you have to take it from a sketch to a real garment. It was hard but in the end everything worked out.

“My inspiration for this collection was all things harvest; the leaves beginning to change and the feeling of the cool crisp air. There was a bit of trial and error with getting pressed flowers into my raincoat. It’s tricky figuring out how to glue flowers into see-through panels!

“The show was crazy. When the models came out it was like, whoa, I did that! It’s made me inspired to do more.”

Winnipeg’s Nicole Joyce had travelled even further to join the Fashion Design Program. Walking away from Cherry Bomb with the Award for Academic Achievement made it all worthwhile.

“The shows were incredible!” she beamed. “Seeing my garments on a model; it’s a part of you but separate at the same time. The environment and energy – with the music, the lights, the crowd – made me feel proud and excited to keep making things.”

Nicole’s journey took a leap of faith as well as a flight from Manitoba.

“I had a business degree and a cubicle job that I couldn’t stand,” she explained. “I discovered sewing in my spare time and couldn’t get enough. I rabidly searched about how I could pursue this. I wanted to spend my time fulfilling my creative drive and making things with my hands, not working in a cubicle. I found Blanche and it seemed like a perfect fit.”

With that kind of passion, Nicole fitted into the program perfectly.

“The work was all consuming but definitely worth it. When we were learning about fashion history with Donna Baldock it was so inspiring to see how elements and shapes are reused, and how you can create anything! The teachers encouraged me to pursue the images in my head. All the courses brought me to create this collection.

“I love birds – their shapes, mannerisms and how they communicate with each other. I was exploring ideas about birds, women, body shape, freedom and constraint. The team here helped me push past my first ideas. From the critiques and conversations I had they pushed me to take the ideas further and evolve into finished garments.”

Aaron Pharness was halfway through a Fashion Design program at another Fashion School when he realized that he needed a change.

“It wasn’t working out for me,” he admitted. “I’d heard a lot of good reviews about Blanche Macdonald so I took a chance, left that school and came here. I knew I’d made the right decision immediately. Blanche was a lot more intimate. There’s more of a family feel here. The designer comes first. Our teacher, Sara Armstrong, is in a design position herself. We could all see her working hard on her own.”

That inspiration led to an impressive menswear debut collection and a pair of awards for Portfolio Presentation and Patternmaking.

“I’m really into sci-fi, so movies like On The Silver Globe, Blade Runner and Beyond The Black Rainbow were big influences. I took a lot of inspiration from some of my favourite designers’ early collections. The colour orange came to me from Rick Owens and Helmut Lang. I thought that was really cool and that I could use that in a uniform sense to create a style running throughout the collection.

“Lisa Gellert, our Illustration and Portfolio Instructor, helped me so much. I thought I was good at illustration but then realized I had a lot of work to do. She helped me keep my confidence while understanding the progression that I needed. She told me to go home and draw every night. That’s what I did.” 

The graduates’ hard work was a reflection of the standard set by Blanche Macdonald’s passionate and ever-professional faculty.

“Sara Armstrong, our Pattern Making and Garment Construction Instructor, is a warrior!” continued Tyler. “I can’t describe how passionate, earnest, organized and dedicated she is. We’re lucky to have her. Our TAs – Lukas Daase, Aman Sandhu and Hannah Ericksson – are incredible. They’re key members of our team and are growing into such strong, organized and talented designers.

“Jon Hennessey is a makeup visionary and he steers a tight ship. I have so much respect for him. Serendipitously we both came to the table with one strong reference we both felt passionately about. Thinking about the iconic Robert Palmer ‘Addicted To Love’ video makeup, we wanted to know what a modern take on that would be. That ended up being the look for Cherry Bomb.

“For the hair, I’d been looking at Joseph Szabo images of 70’s teenagers. Lisa Callender was the usual dream to work with. She always adds her own special twist on things, which I love. Lisa brings so much positivity, enthusiasm and a genuine joy backstage, and her team mirror that leadership.”

Putting on an elite graduate Fashion Show takes a coordinated effort from stylists, and makeup and hair artists to ensure every garment and model enters the runway looking perfect. It’s also a wonderful opportunity to give Blanche Macdonald hair and makeup students their first taste of backstage professionalism.

“I had a team of four current Pro Hair students for 23 models,” explained Key Hair Stylist and Instructor Lisa Callender. “None of them have graduated but they all get it. I’d seen some of them work and I knew their work ethic. They’re a good bunch.

“The inspiration for the male models was Edward Scissorhands. I knew I wanted that messy dishevelled look. For the women I wanted a Blondie ‘Heart of Glass’ look – like they were coming out of Studio 54 at the end of the night. As a teacher I like encouraging students to go back and look at imagery. If you’re only looking at what’s new you won’t get inspiration from what’s come before. If you want to do event work like this you need to know these references.

“I love seeing the collections and the students’ creativity. Two shows means double the fun!”

“We had five artists working here tonight, all Blanche Macdonald graduates,” explained Key Makeup Artist, graduate and Instructor Jon Hennessey. “I don’t get to do that many runway shows in Vancouver these days, so when I do it’s great to have a stacked team. With this type of makeup I want the best artists.”

Understanding that the Blanche Macdonald Fashion Design Show is a group of collections rather than a singular vision gave Jon the challenge of creating a look that needed to be versatile yet still bold.

“When I started working on these shows, it was about keeping it simple. Now I want a full-face makeup. Tyler and I batted around ideas. At one point he asked, what do you think of a modern update on the ‘Addicted To Love’ look? I laughed because screenshots from that video were the next images I was going to show him. Year after year we end up vibing on similar things.”

Along with this year’s incredible designers the success of Cherry Bomb was a tribute to the hard work of the staff and students at Blanche Macdonald, with special mention due to the inspirational leadership of President Lily Lim, the endless efforts of Executive Director, Fashion Design Tyler Udall, Design Instructor Sara Armstrong, and Career Director, Fashion Department Mel Watts. Huge thanks must also go to Co-Executive Program Directors Peggy Morrison and Donna Baldock, Fashion Department Instructors Lisa Gellert, Matthew Burditt, Lyndi Barrett, Carlie Wong, and Wanda Sustersich, Teaching Assistants Lukas Daase, Aman Sandhu and Hannah Ericksson, Creative Director Liz Dungate, Associate Marketing Director Natasha Eng, Graphic Design Director Morgan Mallett, Social Media and Marketing Coordinator Jacky Le, Director of CurliQue Retail Operations Gina Hansen, Operations Director Peter Leung, and Social Media and Creative Content Coordinators Kendahl Jung and Mohamed Ibrahim Ali.

Infinite gratitude too, must be given to the backstage team, led by Tyler Udall, Sara Armstrong, stylist Lacey-June Berry and a team of volunteers from the Fashion Design and Fashion Marketing programs. While Key Makeup Artist Jon Hennessey, Key Hair Stylist Lisa Callender and a team of volunteer grads and students ensured the models looked as spectacular as the collections. Huge thanks also to our fabulous emcee Jaylene Tyme and DJ Hana Pesut (Sincerely Hana) for providing an amazing soundtrack to the night.

The entire team at Blanche Macdonald would also like to extend its sincerest gratitude to our corporate sponsors, gravitypope, Kevin Murphy, Make Up For Ever and Oribe, along with huge thanks to our colleagues at CurliQue Beauty for putting our guests’ goody-bags together.

Award Winners

Overall Achievement: Savana Sheardown

Academic Achievement: Nicole Joyce

Portfolio: Aaron Pharness

Illustration: Alice Colojacomo, Elham Mirhosseini (tie). Honourable mention: Vanessa Romman

Pattern-Making: Aaron Pharness. Honourable mention: Austin Playfair

Garment Construction: Bebeth Cohen. Honourable mention: Vanessa Romman

Textile Design: Savana Sheardown

Accessory Design: Marco Bruni

The post Cherry Bomb: The 2018 Blanche Macdonald Fashion Design Graduate Show appeared first on Blanche Macdonald Centre.

Ana Luisa Valdes always loved cutting hair. Now she gets to share that passion. As the owner of Gastown salon Flowstate Hair Design, she’s built a creative home for herself in one of Vancouver’s most fashionable neighbourhoods. As part of the North American Cutting Team for the globally distributed, environmentally conscious Hair Line Davines, it’s Ana’s job to travel to salons around BC and beyond, teaching professionals advanced cutting, styling and colouring techniques, along with how to best use the brand’s wide range of products.

Both her salon and hair education roles provide daily inspiration for a stylist whose gift for making people look and feel great was apparent even before she arrived at Canada’s top Hair School.

“I really don’t remember how I started cutting hair,” she laughs, recalling her time growing up in Tampico, Mexico. “I had no training. It was something natural to me. My aunts would get me to cut their hair with the same scissors they used in the garden. My sister-in-law ran a hair salon in Tampico. She saw me doing hair and said that I should help her in the salon.”

When the suggestion came that she should enhance her natural talent with some formal training, Ana Luisa investigated the possibility of a dramatic change of scenery.

“I’d been to Vancouver before and liked it. One of my girlfriends from Mexico said that I should try Blanche Macdonald. I heard it was one of the best schools. And the brochure they sent me looked really interesting.”

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I was having so much fun learning about everything. I wanted to know more. The photo shoots opened a door to show me what I was capable of.

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With Associate Director Mary Hombrebueno making sure Ana Luisa’s student visa came through with minimal fuss, two months after that brochure arrived in Tampico, Ana Luisa was starting classes in Vancouver. The weather wasn’t the only shock to the system.

“I wasn’t prepared at all,” she admits with a broad smile. “I thought I’d take a one-year hair course and see what happened. I just wanted to learn and have fun. It was totally different from what I expected. It was tough. I had to wake up early! I knew if I was late three times I’d have to go back to Mexico, so I learned to be on time.”

Despite the early mornings, Ana Luisa found that her interest in hair was turning into a passion. With Blanche Macdonald’s training, the rudimentary skills she’d taught herself back home began to blossom.

“I started getting it and I started getting excited about hair,” she recalls. “I was having so much fun learning about everything. I wanted to know more. The photo shoots opened a door to show me what I was capable of. I’d never done avant-garde or fantasy styles before. I’d only seen that in magazines. I didn’t think I could do that type of thing myself.”

Ana’s ability and newfound sense of determination were evident before she’d even graduated. Recruited by the award-winning Toni&Guy salon, she blossomed immediately, being named as one of the Top Ten Hairdressing Newcomers in Canada at the Contessa Awards, taking First Place in the Full Fashion Fantasy competition at Vancouver Fashion Week, reaching the Finals of Toni&Guy’s North America Photographic Awards and quickly rising to the position of Art Director.

She’d spent five happy years at Toni&Guy when the discovery of a new product line and an encounter with one of her hair heroes, three-time British Hairdresser of the Year and Davines’ Artistic Director Angelo Seminara, sent her career in an exciting new direction.

“I’d been Angelo’s fan forever,” continues Ana. “When I was able to go backstage and meet him, oh my God, I have never been so inspired! He told me that he is inspired by nature. Me too! He told me he was going to Mexico to do an exhibition in Frida Kahlo’s house, taking inspiration from her hairpieces and dresses. When he said that my jaw dropped. I love Frida Kahlo!

“The more I learnt about Davines, the more I knew it was what I was looking for. The line is 100% environmentally conscious and all the packaging is totally recyclable. It’s a hair product line that isn’t bad for you in any sense. I threw out all my products from other companies. If I can’t feel that connection I can’t be passionate about it. And if I’m not passionate about something it just won’t work. Since then I’ve been able to work with Angelo, including in Los Angeles at the Worldwide Hair Tour and in New York at the Intercoiffure Hair Show. I was one of his assistants, prepping models for him. You have to deliver at events like that. There were probably about 1500 people in the crowd at that show watching him.”

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I wanted a small, private space. Somewhere intimate for my clients. Flowstate is as much an artist’s studio as a salon.

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For the past five years Ana’s been sharing that enthusiasm across Greater Vancouver as a key member of the Davines Team. She’s regularly travelling to Toronto, learning Angelo Seminara’s latest collections then returning to teach those cuts to stylists in BC. She’s spreading the gospel of Davines even further, opening four new accounts in Mexico on her journeys home, and being named Creative Director in high end Mexico City salon HER Barra de Peinados.

“I created their blow dry menu and their entire educational system. I trained all their 40 staff members from scratch in three weeks. Some had never done hair before! What an incredible experience to help others with new opportunities in their professional lives!

“Wherever I am in the world it’s inspiring to see professionals sharing the same passion and the love for what we do. It’s like sharing something that you really love. When you share you keep learning and keep inspiring each other. And there’s more people walking around looking better too!”

Making people look great remains a passion for Ana. Now she’s doing it on her own terms. After close to a decade working in some of Vancouver’s finest salons the time had arrived to create a salon of her own.

“I wanted a small, private space. Somewhere intimate for my clients. I’ve been doing this for a while now, so my own chair runs well. But I needed a space to craft and practice. Flowstate is as much an artist’s studio as a salon. It was quite a process but I got it done. I’m an expert on renovation and city permits now!”

“Why is it called Flowstate? Flow state is the clear, positive state of mind you enter when you’re doing something you love well. When I’m behind the chair creating for a client I go into flow state. My clients are in the chair being pampered, looking at the incredible view, and they go into flow state mode too.

“This is where I can ground myself. I’m with my team and my friends. It feels like home. I love running my own business. And I love making people feel good. That never changes.”

The team at Flowstate reflect the tranquil energy Ana’s fostered. Six floors up in a 100-year old building, a stunning brick wall running the length of the studio takes a back seat to the spectacular views of Vancouver Harbour, the North Shore and the mountain range beyond them. It’s an ideal spot for clients and creative endeavours alike.

“I love creating and doing shoots. I pick up models on the street all the time. I’ll approach people and explain that I can give them a complementary cut and colour if they’re willing to be my model. I can see in my mind what I could do when I get them in my chair. When people have a little edge they don’t mind if I shave or colour something. I won this year’s Davines Colour Competition with a model I approached on the street and offered a free haircut.”

Ana’s commitment to inspiring creativity goes beyond her clients and her fellow hair professionals. She has warm words of advice for anyone taking their first steps in the industry she loves.

“If it’s really your passion, do anything to make it happen!” she insists. “Be friendly. Be positive. If you have to apprentice or clean toilets don’t complain. We’ve all done it. Keep observing the stylists around you and do as much as you can. It’s been ten years since I graduated from Blanche Macdonald and I still love what I do. So far, so good!”

The post Pro Hair grad Ana Luisa Valdes goes with the Flowstate appeared first on Blanche Macdonald Centre.

Timothy Hung is Makeup Aristocracy. Even when he’s not jetting to sets in Milan, Taipei, New York and Los Angeles, and collaborating with major players in the beauty industry like Make Up For Ever, Nars, Christian Dior and Giorgio Armani, this Blanche Macdonald Makeup program graduate keeps a tight schedule. Looking through images of his diverse and creative looks, it’s easy to see why everyone is so eager to work with him. His raw talent, particularly in creating editorial makeup, is astounding.

Photo and Artistry by Timothy Hung @timothyhungcom

Which is why Makeup Students and faculty were beyond fortunate when he returned to Blanche Macdonald’s Atelier Campus to educate, inspire and demonstrate a few of his signature looks at an exclusive SmithxCurliQue event to kick off CurliQue Beauty Boutique’s official launch as the first Canadian retailer of the insta-famous Smith Cosmetics makeup tools!

Timothy has a unique process when it comes to makeup. His methods seemed paradoxical at first. The way he applies makeup is thoughtful, methodical, and strategic, yet free flowing and organic at the same time.

Timothy has achieved celebrity status online for his refined treatment of the skin and the dazzling embellishments he adorns his looks with. And at SmithxCurliQue he demonstrated his go-to routine for skin preparation and distinctly elaborate makeups to audiences that hung on his every word. Over the course of two sessions he created a fiery look inspired by the colour red, followed by an ethereal and dreamy star-filled face, inspired by silver.

Both these looks were exquisitely detailed. There wasn’t a step along that way that he didn’t pay meticulous attention to, his audiences marvelling at every stage on the journey.

The starting point for both these looks, like every one that Timothy creates, was the complexion. He began by analyzing his model’s face and applying carefully-selected skincare products including sheet masks, beauty oils and moisturizer from cult-fave French brand Embryolisse, before going in with base makeup. The first layer of makeup he applied was an illuminating primer. He mixed Danessa Myricks Illuminating Veil, a cream highlight, with a few drops of a beauty oil to create a base for the luminous complexion that he was looking for. Using an oil is something that many beauty lovers and even pro makeup artists shy away from, but Timothy explained why it’s integral to his routine.

“If you’ve done a base that doesn’t sit well on the skin,” he pointed out, “it will only get worse once you start to layer products. Beauty oils not only hydrate the skin, but help you get transparency back.”

Adding translucence helps to soften the appearance of heavy makeup. Timothy used Smith #115 Foundation Brush to blend this mix into the skin.

Next in Timothy’s routine came foundation, which he applied to even the skin’s texture and disguise discolouration. He reached for Danessa Myricks once again, this time selecting the Vision Cream Colour Foundation, adding another drop of beauty oil to introduce additional radiance to the foundation. Using Smith #115 Foundation Brush, Timothy glided the product from the centre of the face outward, creating coverage that looked soft and lightweight on the skin.

Timothy explained in detail why carefully layering of products is vital to his work.

“By building up the makeup slowly and through multiple steps,” he revealed, “I can achieve a seamless finish, making editorial makeup appear congruent and as though it belongs on the model.”

With this in mind, Timothy went in with additional layers of highlights. He applied MAC Luna Cream Colour base and Ben Nye Lumiere Luxe in Ice. When selecting illuminators, Timothy explained that it’s necessary to “find good buildable highlights that have different textures. That way you can layer to get the desired finish you like.”

Each look began to materialize as Timothy picked up a pair of Danessa Myricks Colorfix creams; in red for the first look and silver for the second. Using Smith #247 Flat Round Crease Brush and #235 Flat Quill Crease Brush he blended the pigments around the eyes, creating a soft halo of colour.

Despite his renowned ability to create perfect skin, Timothy’s greatest fame is for the detailing and embellishment he regularly adds to his looks. His career started in fashion where he discovered a love for creating intricate beadwork. He has transported this trademark style into his makeup career with his signature use of crystals and sequins for editorial looks. But Timothy is never satisfied by simply applying sequins. He insists on customizing each and every jewel he uses.

“If I just stick on the sequin, it’s boring. Anyone can stick on a sequin. So that’s why I create different shapes out of what I have. I can build a story up around that.”

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It's important that you don’t become a cookie cutter makeup artist. If you really want to get somewhere you have to be original and find something that you’re passionate about.

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As he shared this with Blanche students, Timothy folded up a sun-shaped sequin resembling a flower. Little touches like these make his work so transformative.

Timothy finished the two looks by creating fine details to complement the beading. He also reached for Smith #202 Microliner Brush and #302 Lip Brush to add a few final touches, such as softening the edges of the lips and further diffusing the pigment around the eye, to complete his masterpieces. These tiny details have become especially vital as Timothy fully understands his position in the makeup social media landscape.

“With social media sometimes I need to focus on a really tight, tight area,” he revealed. “I always want to make sure that even a small area is impactful on its own.”

Always keen to share his insight and expertise, Timothy didn’t just talk makeup and crystals; he also spoke about his experiences in the industry and how straight-out-of-school makeup artists can find their own path to success. In his opinion, celebrating what makes your art unique is key to succeeding as a makeup artist.

“There are so many makeup artists today and we all dream of success. It’s important that you don’t become a cookie cutter makeup artist. Everyone’s trying to copy the ‘it’ look to gain a following or fame. But that’s not how you do it. If you really want to get somewhere you have to be original and find something that you’re passionate about.”

Timothy’s refusal to follow the norm has allowed him to stand out in an ultra-competitive industry.

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When I first started doing makeup I just wanted to make women pretty. But now it’s so much more than that. I'm an artist. I need to be able to express my creativity.

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“I like to do things that are kind of unconventional. I like to play with adding different elements to my work.”

By focusing on artistic concepts and looks that he’s passionate about, people have taken notice. Timothy’s unique style has garnered collaborations with brands like Kat Von D, Shu Uemura, and Yves Saint Laurent. Of course these companies admire his elegant yet original take on beauty, but Timothy insisted that perseverance and passion are really what takes a makeup artist to the top.

“When I first started doing makeup I just wanted to make women pretty. I just wanted to make them feel good. But now it’s so much more than that. I’m a makeup artist. I’m an artist. I need to be able to express my creativity. Otherwise I can’t do makeup anymore.”

Watching Timothy work was inspirational. In part because of his captivating artistry, but also because of his passion for educating and mentoring ambitious new makeup artists. He’s determined to pass on his knowledge, inspiring a new generation of artists with creativity, passion, and kindness.

“You just have to keep up with it and push yourself,” he smiled. “It’s never impossible to create art and make a living out of it if you’re passionate.”

Shop Smith Cosmetics’ luxe makeup brushes and their one-of-a-kind Smithfolio Makeup Brush Case at their first Canadian retailer: Blanche Macdonald’s very own CurliQue Beauty Boutique, 410 Robson Street! @CurliQueBeauty

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KICKSTART YOUR CREATIVE CAREER

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2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Timothy Hung Reveals his Beauty Secrets at exclusive SmithxCurliQue presentation! appeared first on Blanche Macdonald Centre.

If you asked most brides in Taiwan who Sunny Lee is, chances are they would know her as the Makeup Artist from their own wedding. In the midst of a blisteringly fast-paced career in Bridal Makeup that spanned over 11 years and included “easily over 1000 brides,” Sunny Lee dropped everything in Taiwan and came to Vancouver to enrol  in our 3-month International Makeup Studio program. The classes allowed Sunny to expand her already well-developed skills, propelling her to her current position a top Bridal and Fashion Makeup Artist in Taiwan. 

Since then she has collaborated on numerous fashion shoots in Taiwan and Hong Kong, working alongside Shin Band Tomi, 87 Band, Hitomi Wu, Super Ido -P.J. Chen, Rainky, and Kay; taught numerous students in various makeup courses, appeared on Hunan TV’s Makeup Contest Reality Show, and was chosen to work behind-the-scenes at NYFW! She’s motivated, open-minded, energetic, and with an unparalleled work ethic—meet Sunny Lee!

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My time at Blanche showed me how to be a real artist.

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You were already an experienced and successful Bridal Makeup Artist in Taiwan before coming to Blanche Macdonald. What made you choose to come study makeup artistry with us in Vancouver?

Fashion Makeup had always been my dream and I was afraid of staying a strictly Bridal Makeup Artist forever. I had read so much about Blanche Macdonald’s Makeup program and I knew it would be the perfect place for me to improve not only my bridal skills but to learn all the new things I wanted to learn. I knew Blanche Macdonald would help me be different and original and not just make copies of the other work I liked. My time at Blanche showed me how to be a real artist.

You were lucky to have Mimi Choi as your instructor for your High Fashion module while you were here. How was that?

Mimi is such a gifted artist. She really encouraged me to be original and let my imagination go wild. Whenever I would hit a wall, she could always help me break through and create something I liked.

Was speaking and learning all in English a challenge?

My English isn’t very good and it was a huge challenge in the first month. I’m so thankful for my instructors and classmates who were so patient with me and really helped me learn and understand everything.

Tell us everything about your New York Fashion Week experience! What was it like? What did you do?

I was able to be part of New York Fashion Week as part of ‘Hunan Television’s Makeup Competition Reality Show’ in China. I was chosen as one of three winners to work behind the scenes at NYFW. We had only 20 minutes per model to do their makeup—it was so hard! Not only that, I had (what felt like) countless models that needed makeup running around plus the film crew from the show that hosted the contest trying to film me. It was a crazy but awesome experience.

What was doing the show like? Were there any stars in it?

It was full of surprises and challenges! You never knew what they would throw at you! Flying between Taiwan, Shanghai, and New York that month was so tiring but it was such a great experience and it gave me priceless memories. There were a few instructors on the show who are very famous in China, Taiwan, and Hong Kong, such as Janice Yu, Rick Chin, Yang Qian, Orfila Wu, and Fang Jia Yi. The host of the show, Mei Lin, is also very popular in Asia.

Was there anything you learned in our Makeup Program at Blanche Macdonald that set you apart from the other contestants?

Blanche Macdonald introduced me to a new definition of makeup. I learned so much from every module that’s made me a better and more versatile Makeup Artist. I have so much more confidence handling the products and tools I need to create looks that I am proud of and my clients love.

The show was looking for someone who was passionate about Makeup. My work ethic and my enthusiasm also made me stand out compared to the other competitors. The production unit wanted to give me a chance to see what I was capable of and they were very pleased with my work.

Can you tell us a bit about the differences between Taiwanese Fashion and Editorial Makeup versus Canadian/North America makeup styles?

Natural, glowing skin is the mainstream here in Taiwan. On the other hand, Canadians are more into strong eye makeup or a strong feature on the face. The two styles are very different!

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My work ethic and my enthusiasm also made me stand out compared to the other competitors.

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What is a fashion look you’ve done that you feel most proud of?

It’s hard to pick just one! They all mean so much to me. Each of them is a milestone in my career. One was definitely my first job in Taiwan when I got back from Canada. I posted it on Instagram and received a message from Make Up For Ever and NYX Cosmetics asking if they could use my photo on their websites! Another one was for the TV show I was on. We had to do makeup for dancers and I got a very high score from the judges. The most recent work that I’m very proud of is the recent look I did with a local photographer where I did the model’s eye in a few different shades of blue. I let my imagination take over and it turned out so great and it’s so different from what I normally do so it was a huge relief for me that it turned out.

What is it like working in Taiwan versus Vancouver?

The main difference is that in the Vancouver makeup scene we use face charts a lot. In Taiwan, we use reference photos only. Canada also offers the chance to work with more diverse skin tones as well.

You teach Makeup Artistry in Taiwan now as well. How often do you do that and what kinds of things do you normally cover?

I teach once a week in Taiwan. I cover basic makeup to advanced hairstyles. I make sure to teach the whole look, though. For example, when we finish makeup and hair, we have to find an outfit for the model. Then before the end of class, we talk about how to take good photos and how to best share them on social media.

What made you start doing makeup in the first place?

I’ve been passionate about makeup ever since I was little. My parents didn’t think it was a good way to support myself as a career but they told me that whatever I decided to do, I should try my very best at it. So I decided that when I finished high school I was going to pursue my dreams of makeup. I tried very hard as my parents told me to…and here we are today!

If you could give an aspiring Makeup Artist one piece of advice, what would it be?

Even if you’re an experienced Makeup Artist, it’s so important to put aside your own ideas and refresh your creative mind every day. Every teacher, student, or fellow artist will give you fresh ideas about beauty and creativity and it’s important to really listen to them.

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KICKSTART YOUR CREATIVE CAREER

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2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Taiwan’s Resident Bridal and Fashion Makeup Artist: Sunny Lee appeared first on Blanche Macdonald Centre.

It will come as no surprise if Kirsten Ley becomes a household name in fashionable homes in the very near future. After being described by Executive Program Director Peggy Morrison as “the Student of the Decade” during her time on the Blanche Macdonald Fashion Design course, Kirsten has taken her couture collections around the globe, starring at Fashion Weeks in New York, Vancouver, China, Australia and Tokyo. If that wasn’t enough, she’s recently moved to Paris to continue her adventures in the beating heart of the fashion world.

These remarkable achievements are perfectly understandable once you get to know Kirsten. She’s practically Wonder Woman.

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If I couldn’t create art I’d lose my mind. Every single collection is a reflection of where I am in life.

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“I’m going to sound like a crazy person,” she laughs, “but if I couldn’t create art I’d lose my mind. Every single collection is a reflection of where I am in life. It’s my journey. I’m a happy and balanced person, but as an artist I’m highly emotional. I need this outlet to express myself. On my days off from creating collections, I’ll paint or write music for my shows.

“I still get up at 5am every morning and go to bed around 2am every night. When I was at Blanche Macdonald I also had an internship and was teaching yoga every morning. I’m a night owl and a morning person. I find my relaxation and rest practicing yoga. I get enough rejuvenation from that to compliment my sleeping schedule, or lack of one!”

Channelling her endless energy directly from the universe (rather than the traditional method of sleep we mortals use), Kirsten’s intellectual approach to creativity knows few bounds either. Her award-winning graduate collection juxtaposed concepts by matching the constriction of leather body casts with the free-spirited escapism of billowing silks.

“That first collection was inspired by my personal experience,” she continues. “I was diagnosed with scoliosis when I was 13 and was put in a back brace for 22 hours a day. I was an actress, dancer and opera singer and the only time I was out of the brace was when I would dance, sing or perform. The dichotomy of the bound leather garments with the flowing silks is like breaking free of the confines I grew up with. That’s one reason why I called my collection ‘The Unbearable Lightness of Being,’ which is one of my favourite novels too. Milan Kundera took Nietzsche’s idea of eternal return, which I think is relevant to the cyclical nature of fashion.”

Physical and creative super powers are helpful, but Kirsten insists she couldn’t have scaled her globe-conquering heights without the assistance of the Team at Canada’s top Fashion School.

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I loved my time at Blanche. Everything I learned at school in terms of time management and work ethic prepared me for the professional world. I loved everything that the faculty continues to offer. I hear a lot of grads say that you get out of Fashion School what you put into it. That’s absolutely true. I wanted to work my butt off and make something of my time here. The faculty and staff have gone above and beyond helping me at school and after graduation.

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“Tyler Udall, from our first meeting, completely understood me. He has the ability to see the final picture and to visualize it on the runway before a needle has been brought to fabric. I have the utmost respect for him and I’m honoured by his belief in me.”

“[Program Director] Peggy Morrison is an incredible woman with a massive wealth of knowledge about every designer you could possibly imagine. Picking her brain opened up a Pandora’s Box into the insides of the world of fashion. Her approval and support truly meant that I was doing something right because she doesn’t sugar coat anything. She’s been a pillar of inspiration.

“Sara Armstrong’s ability to see things differently and from an artistic perspective helped me eternally with my drafting and construction process. Most of my pieces aren’t traditional and Sara helped me achieve what was in my head. She gave me the confidence to trust my own gut instinct.

“[Fashion Career Director] Mel Watts has been absolutely incredible. She keeps the wheels running and has a work ethic to be envied and admired.”

Kirsten deservedly won the Award for Overall Achievement at her year’s Blanche Macdonald Fashion Design Graduate Show, but that was merely the first in a long list of triumphs.

“Vancouver Fashion Week asked Blanche if there was a student they’d recommend for a sponsorship, and they picked me! Three months after I graduated I was able to show my collection at Vancouver Fashion Week. It was my own show so the music, hair and makeup were all my decision. It was incredible, as an artist, to see my ideas come to life. I got a standing ovation from people I was told never get that excited. That show made it into Vogue China. I knew then that if I ever had an opportunity I wasn’t going to waste it. I was going to work as hard as I could.”

Kirsten’s second collection, Fantome, appeared on the runway only six months later. Again a mix of intellectual inspiration and relentless perspiration, Fantome was the collection that cemented Kirsten’s international reputation.

“I wanted to surprise people. I started thinking about Snell’s Law, the way that light refracts and distorts through water. I wanted to bring that idea into clothing. I built these cloud-like structures where everything was hand sewn. I’m obsessed by couture and sewing for 16 hours a day is meditation for me. I like making things harder for myself!

Kirsten showed at her second Vancouver Fashion Week that fall, and was immediately offered Amazon Fashion Week in Tokyo. From there she travelled to Perth for Australia Eco Fashion Week and after that Harbin Fashion Week in China, which is where she was when she was offered New York Fashion Week. For any young designer a show at New York Fashion Week should be a dream come true. There was one caveat to that New York show. They wanted a brand new collection. And Kirsten had just two weeks to create one. Even that wasn’t a problem for this stylish superhero.

“I’m always two seasons ahead in my brain. I wanted to move away from Fantome and the world of physics. I’d been thinking about Rome, where I’d lived when I was younger, and how Nero played the fiddle while the city burned. I was reading death sonnets by Donne and Keats. Those were the inspirations. I’d already bought the fabric and designed everything before I left for those international Fashion Weeks.”

The result was Nero, a collection with a colour palette (burnt greens and browns, apricot flames and plenty of black) reflecting death, loss and a burning Rome. By now the global fashion industry knew who Kirsten was and understood what she was capable of. Vogue UK was one of many publications to feature this soon-to-be superstar.

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I immerse myself in my art and creation. I’m never thinking about the reception. As long as I get a reaction, I’ve done my job.

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“The articles are more motivation to do better and work harder. Not because I need the press to shower me with accolades. I want to evolve as an artist, which means putting more hours in and working on my techniques. I never expected any of this and constantly thank everyone who has helped and continue to help me. It’s all incredibly humbling.”

Features in Vogue would be the pinnacle of many designers’ career. For Kirsten it’s merely the beginning. Her couture collections are now accompanied with ready-to-wear counterparts, and she’s recently moved to Paris to pursue new (and currently top secret) opportunities. You could and should follow her to keep up to date with her adventures, but chances are everyone will know the name Kirsten Ley soon. Whatever happens, this designer is sticking to her unique creative vision.

“I immerse myself in my art and creation. You have to dive in and not worry about how people will react. I’m never thinking about the reception. As long as I get a reaction, I’ve done my job. That’s what’s exciting to me.”

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KICKSTART YOUR CREATIVE CAREER

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2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post The Unbearable Lightness of Fashion Superhero Kirsten Ley, Blanche Macdonald’s Fashion Design “Student of the Decade” appeared first on Blanche Macdonald Centre.

Thoughtful, passionate and hardworking, Bridget Thiessen is a Merchandising marvel with skills that could knock the socks off a shop floor mannequin. A recent Toronto transplant, Bridget is the District Visual Manager responsible for seven of the 14 Club Monaco locations around the city. But before she lived in Toronto or even Vancouver, Bridget’s fashion journey began in Winnipeg, where she was in the middle of a General Arts degree. Funnily enough, it was her part-time job during university that lead her to her passion: visual merchandising.

“I had no idea what merchandising was or that it was a job you could do, I was just doing my job as far as I was concerned! But one of my managers saw a knack for merchandising in me and explained all about it, so I started helping out with new windows or collection roll-outs where I could between classes and I decided that I wanted to keep going with it.”

Enticed by the program length, the array of classes and Vancouver’s mild weather (“I’d had snow every year for 20 years — the absence of it was so alluring!”), Bridget set off to the beautiful West Coast to study Global Fashion Marketing for one year at Blanche Macdonald. The program only increased her appetite for visual merchandising and she, not surprisingly, soaked up all the information she could from classes, determined to use it in her future career as a Merchandiser.

“The whole program was so, so great but for me, the classes that I was in love with were the ones that give you the product knowledge you need to be a Merchandiser, like Fashion Elements and Textiles. Even the Photoshop class comes in handy every now and then. I don’t use it in my day-to-day but I’ve had to go on and learn other Adobe programs for work, and having that base in Photoshop was immensely helpful.”

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The whole program was so, so great but for me, the classes that I was in love with were the ones that give you the product knowledge you need to be a Merchandiser, like Fashion Elements and Textiles.

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And if you could believe it, it was another part-time job during Fashion school that would again take Bridget to the next chapter of life.

“I saw a posting on Craigslist for a part-time position at Club Monaco so I applied. Once I was done school and ready to work full-time I talked to my supervising Merchandiser about getting a more full-time, permanent position. Luckily one day a girl who was on the merchandising team moved back to France and her job was open! I applied and have been with the brand ever since – about eight years now!”

Over eight years, Bridget steadily rose through the merchandising ranks at Club Monaco, learning the intricacies and everyday functions of the business to her immense benefit. In fact, it’s one of the reasons she credits to her success in her role now.

“Working through the ranks over two years gave me two really great skills for my job now. First, I’ve got a very comprehensive perspective of the brand and how they’ve evolved. I understand our customer base as a whole but also the smaller categories of customers. Our tried-and-true customers will often opt for different pieces than our new, or occasional customers will choose, and my job is about speaking to as many of them as I can. The second thing it gave me is a good sense of who I need to be and what I need to do to properly communicate and train my teams, both merchandising and in-store.  I’ve been all those roles and spent time growing with the brand, so I know what each job entails and the difficulties and rewards that come with each of them. I can specialize what I’m saying to each person so that they can easily incorporate it into their day.”

Specializing visual merchandising standards and training to her various teams isn’t the only thing that Bridget spends her days modifying. It just so happens, as she’s a bit of a merchandising authority, she often gets to take part in visual merchandising projects all around North America with Club Monaco.

“I’ve overseen markets in Vancouver, Alberta, San Francisco, Seattle, and now Toronto. Each store in each city is different. You definitely have to cater to the particular client; whether it’s the ‘career’ person or ‘dressed up for a party’ person. My job is all about deciding how to best present to them and make the biggest impact on them during their shopping time. It can get challenging because our customers run the gamut from stay-at-home moms to corporate women and through a pretty wide age range.”

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I’ve overseen markets in Vancouver, Alberta, San Francisco, Seattle, and now Toronto. Each store in each city is different.

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With such a wide array of customers to speak to on the daily, Bridget has some finely-honed steps and skills in place to make sure that whichever store she’s in that day, will be well set up and organized to have their floor look as inviting and shoppable as possible.

“When you’re visual merchandising, the main thing to keep in mind is who you’re merchandising for. Whoever the zones are made for, are they appealing to the person in mind? My constant mantra is ‘Are these friends or this couple going to the same party?’ Always asking that question really helps us keep our merchandising on point.” With so many types of people to speak to through Club Monaco’s displays, Bridget explains that creating an emotional reaction is vital. “When merchandising I incorporate different elements— style, colour, texture, and display props. The goal is to elicit an emotional response that inspires shoppers while they’re in the store.”

“While you’re working with a team and merchandising with that store’s offerings, communication is so important. You’ve got to be an active listener as well; merchandising is so opinion-based that the better you listen, the easier you’re going to come to a positive result.”

Every week is different for Bridget, and that’s part of what keeps her so interested in what she does. Making rounds through each store in her district over the course of a week sees her taking calls with Head Office in New York, ensuring her stores are ready for all promos, sales, or events, assessing each store’s business and finding creative solutions for individual visual merchandising needs. She is also a big believer in finding and supporting other burgeoning Merchandisers she comes across.

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When merchandising I incorporate different elements— style, colour, texture, and display props. The goal is to elicit an emotional response that inspires shoppers while they're in the store.

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Besides studying at Blanche, my career was greatly helped along by two supervisors I had in part-time roles. I’m lucky enough to be in a position where I can help others develop in merchandising. Along with helping them grow in that direction, it’s also important that I try and prepare them for everything that role brings. Merchandising isn’t only about creativity, you have to have business acumen and management skills, it’s really an all-encompassing role. And as you’re part of so many different teams, you’ve really got to be an asset to them all!”

Though finding and mentoring up-and-coming Merchandisers is one of Bridget’s favourite parts of her job, there’s one other aspect of it that can’t quite be beat — new store openings.

“I’ve gotten to do a handful store openings over the years I’ve been here and it’s absolutely a Merchandiser’s dream. Visual merchandising is all about those small, fine details and when you’ve got a couple days in a closed store to get everything perfect, up to standards, and then still have time to go back and review your work with a fine-toothed comb—it’s just THE BEST feeling. And then once that part is done, you open the store up to the customers and watching them experience the brand in such a pure, fresh way makes everything worth it. It’s such a rewarding experience.”

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KICKSTART YOUR CREATIVE CAREER

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2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Club Monaco Toronto’s District Visual Manager: Fashion Merchandiser Bridget Thiessen appeared first on Blanche Macdonald Centre.

“Once you find something you’re good at, you focus on that and specialize in it. We focus on our strengths and we’re very good at what we do.” Those wise words from Mika—the owner and Director of Beauty at Prép Beauty Parlour—describe how she has structured the services and staff at her Instagram-able beauty hub. However, this principle just as easily applies to Mika herself and the beauty-filled journey that led her to where she is today.

From a young age Mika harboured from a love for all things related to the world of Makeup, modelling, and TV & Film. This bolstered Mika’s desire to pursue a career in just that.

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I wanted to do Fashion Makeup and work in TV & Film. Even back when I was looking into schools, Blanche Macdonald had the best reputation. I loved the Makeup Program, I had the best time in all my classes.

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“I started working in the TV & Film industry and on-set right away and I didn’t love it like I thought I would. What I did love was applying makeup and giving the actors little facial massages and things like that. Suddenly it clicked that I wanted to be able to do Makeup and offer services. So, it was back to school!”

Coming back to Blanche Macdonald, now into the Esthetics classrooms was just as thrilling and intriguing as her first time around in the Makeup courses. Only this time, her days were filled with facials and massages instead of Prosthetics and eyeshadows.

“It was just plain fun! I loved the curriculum and I loved being there. Plus, who doesn’t want a facial or massage in their school day? I loved going to Blanche both times. The Esthetics program covers so much that you can really find what you like and what you’re good at.”

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I loved going to Blanche both times. The Esthetics program covers so much that you can really find what you like and what you’re good at.

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Mika’s ability to adjust and adapt her dreams to her reality is only one of her strengths. She’d done it once and little did she know, she was about to do it again and this time, it would lead her into her very own business.

“Once I graduated the Esthetics program, I started working in a spa. I was always dedicated to my services but I wasn’t the best employee. I wanted some autonomy and to be able to structure my own days. My now-husband encouraged me to take all the skills I’d learned and combine them under one roof and open a studio. I finally did it and I have never looked back!”

In 2010 Mika opened a studio of her very own, Mika Does Makeup, where she could combine her skills in Makeup with her favourite services she’d learned and perfected.

“I jumped into it. I didn’t really have a business plan or anything. I knew what I wanted the culture to be and the space to feel like. At first, it was just me and one nail tech and it was us trying to get people in for services! Even when we weren’t making a profit, I wanted to see clients coming in, the girls relaxing and bonding and really create a hub for beauty services and connection. I never wanted intimidating salon vibes or orders being barked at people. Even now when I go into the Parlour, no one knows I own it because we all talk and relax and do what we do best!”

It didn’t take long for people to spread the word about the super fun place where they received their great services and before long, Mika was hiring more staff, adding new services and taking on weddings and other special events. And in no time at all, Mika realized that her once tiny team had outgrown their space.

“When we had to start looking for a new space it was 2015. It took us a year and a half to find the perfect spot, another year to get the permits together, and then we still had to get inside and get the interior to reflect the new era of the business. This was when I decided to change the name—everyone called their space a studio and it was getting too confusing. It seemed like the moment I changed it, it started to get more popular with people, too.

“I played with lots of different names but in the end I kept coming back to the idea that we prepare you for any occasion or event with every service you could need and the name ‘Prep’ kept coming to me, so I added the accent and called it a Beauty Parlour!”

Nestled right along the bike path, the foot of the Burrard bridge is the new view from the glistening front windows of Prép Beauty Parlour. Though there may be more things to see inside the salon—even on a beautiful and bustling street like Burrard.

“I wanted to stick to a French theme since we have the accent in the name so I went full-on French Renaissance era with the design. I wanted it white and clean looking but I also wanted every single detail to be thought of and unique—especially in this world of Instagramming everything! It took me over a year of searching everywhere and visiting other countries to shop and explore their salons before I was able to find all the pieces I feel like we needed. I went from Greece to Paris to LA, shopping and seeing what decor was in their best salons and incorporating little things from there that spoke to me. I spared no expense. One of our walls is specially made and imported from Toronto. Our private event room is done like a gilded, golden ballroom. The bathroom is gold and white and each room is filled with beautiful details from all my travels.

“I also made sure that in addition to the decor, every service and aspect of our customer service was as elevated as possible. We use Akzentz products for all our nail services, for makeup services we use brands like Fenty and Nars, our lash lifts are all Yumi which are the best on the market right now.”

But don’t let the name brands intimidate you. Mika’s other goal, besides creating a space that’s almost too beautiful to be of this earth, was to make this level of luxury affordable for her repeat clients.

“Our clients are anywhere from their 20s to 60s, really. Lots of travellers, professionals, and the ‘downtown’ kind of people. I would want to be able to go somewhere every month for my service and that’s how I wanted to structure Prép Beauty Parlour. We can’t prep you for every occasion if you can only afford to come here once a year!”

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There have been many, many, many Blanche grads at Prép over the years. They seem so much more organized and professional than other candidates.

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In order to work with the hottest brands, you need people with top skills. Unsurprisingly, Mika often finds those top skills at the place she once called home.

“There have been many, many, many Blanche grads at Prép over the years. They seem so much more organized and professional than other candidates. Plus I know they come from such a good school and they usually know their best skills, where they would be most valuable and what services they want to specialize in here. We don’t do much of ‘one person does every service’ so knowing your skill set is key.”

Rapid Fire Questions with Prép Beauty Parlour

Name a major milestone for Prép Beauty Parlour.

Definitely moving to our new location!

What’s been a favourite part or moment in Prép’s journey?

The whole vibe we created and seeing all the girls come together everyday.

One key aspect in bringing Prép Beauty Parlour to what it is now?

A business plan! I’ve done everything so much better the second time around.

Describe Prép in a hashtag

#getprepped OR #affordableluxury

What’s been one of the biggest surprises so far?

How hard it is! It’s super hard to stay in business and keep clients coming back with so many other places to go—which is why we always try to set ourselves apart with specialized services and excellent customer service.

2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Prép Beauty Parlour Brings the ‘Special’ in Specialization appeared first on Blanche Macdonald Centre.

Inspiration can arrive in unexpected places. Today Saskatoon Barber Cody Dunbar style hair out of Bourbon Barbershop and Shave Club, the Saskatchewan city’s picture-perfect homage to the classic barbershop of decades past. It’s a long way from his tiny hometown of Caronport, Saskatchewan, and even further from the shantytown in India where this one-time Christian Missionary had his hairdressing Road to Damascus moment.

“Growing up I knew I wanted to have a trade and use my hands,” he explains. “My Dad would cut my hair when I was a kid and taught me a few things so I could cut his. It was mostly bonding time with each other. I trained as an electrician but after I got into missionary work and travelled to India I realized that electrical wasn’t going to help out that much.

“I came back home and was working as an electrician on the Trans Canada Pipeline, but I knew it wasn’t my calling in life. So I saved up my money and went back to India. One evening I went into the slums and started cutting a kid’s hair in someone’s home. People were coming home from work and saw a white kid cutting their children’s hair. By the end of the night there was a line of people out the door waiting for haircuts!

“It was amazing to go to the homes of people from the lowest caste and prove to them that everyone is equal. I had an interpreter to help me chat with people but I was still blown away with how hair helps you communicate with people. It was so fun. No matter where people are in their lives it amazing to talk and try to encourage them. To see people walk out the door with their head held high and excited about what’s ahead of them is an incredible feeling.”

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To see people walk out the door with their head held high and excited about what’s ahead of them is an incredible feeling.

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Invigorated by the personal connections he’d made during a few hours of guerrilla hairdressing, Cody had discovered his calling.

“That was a massive moment for me,” he smiles. “I remember lying awake in the middle of the night—it was so hot that I couldn’t sleep—and thinking, yeah, I could do this as a lifestyle. I was energized by the people!”

Cody was enjoying a haircut during a visit to Vancouver when a conversation with the barber pointed the way to his future Hair School.

“His name was Jason Hatheway. He’d travelled from Germany to Vancouver, and he loved the lifestyle. I asked him where he’d studied and he said Blanche Macdonald. He told me to go talk to Phil Loiselle in the Hair Department and tell him that the class clown was doing well in the industry.”

Cody paid Blanche Macdonald’s Hair Department a visit as Jason suggested. That was enough to convince the future Saskatoon barber that this was the perfect school for him. Once classes began, he knew he’d made the right choice.

“Working on the pipeline I was used to roughneck people so it was nice to be treated with respect,” he laughs. “It was great to be in a professional environment. I really enjoyed my time at Blanche. I had everything I needed. I just needed to practice to become good. I wouldn’t call myself a star student but I did ok with my grades. I wasn’t the best in my class but I always had passion. Phil would always say that he could see so much potential in me.

“When I started, I thought I was going to go into men’s hairdressing but that idea would change continually as we learned more. I’d call my parents and say, now I want to be a wigmaker or a colourist or a red carpet stylist or a wedding stylist. I went to do my work experience at Avant Garde. It was amazing to see the technique and the overall atmosphere of very high quality.”

Cody had visited Bourbon Barbershop during a trip to Saskatoon for a cousin’s wedding and was drawn in by its retro décor, 100-year old barbers’ chairs and (as an observant Christian) the fact that it’s closed on Sundays.

“I called them one day when I was commuting to school. I sent them a portfolio, did an over-the-phone interview and they liked me. They told me about the environment, the quality of cuts they do and how much I’d be making. I thought, ‘Yeah, that will do!’ They explained how they always want the shop to function smoothly, and I loved that. I actually skipped my grad at Blanche so I could be there for my first day of work on a Monday morning.

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“When I started, I thought I was going to go into men’s hairdressing but that idea would change continually as we learned more.

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“The artisan movement is showing the value of quality over quantity. Bourbon is an experience first; and a new one for Saskatchewan. Clients walk in and there are beautiful antique chairs, there’s blues music playing, and they’re treated like a gentleman. The service is above what they’re expecting. We make a point of putting the cherry on top of a shave, trim or haircut—checking hair on the nose, neck, ear and eyebrows. Guys enjoy it when you can do a cut quickly and effectively, double-check everything, then provide additional services.”

Cody caught his burst of inspiration with an evening of unexpected social interaction in India. Now the busy Saskatoon barber explains that it’s the social aspect of his work that keeps him excited about coming into work every day.

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Hairdressers can seem like superheroes because we know so many people!

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“If hair wasn’t attached to humans I wouldn’t do this,” he laughs. “I love working with people. I always look at my clients’ eyes in the mirror when I’m working. I’m looking for their personality and what they’re looking for—gauging the haircut to suit them, both with their face shape and their individuality. Technical theory is so important but after time you start to understand the concept of cutting for a person.

“This is a social industry. That’s how you network. Hairdressers can seem like superheroes because we know so many people! I know hundreds of people now. Every time I meet someone new we’ll always have mutual friends, perhaps someone who told them about this great barber!”

2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Pro Hair Grad Cody Dunbar: Man on a Mission appeared first on Blanche Macdonald Centre.

From London to Vancouver and back to London again, wherever David Jack calls home, fashion flows from his creative soul. Whether the Stitched Fashion Designer is creating bespoke ball gowns, running his Men’s Underwear label Jack or triumphing in reality TV competitions, the Blanche Macdonald Fashion Design graduate has a natural flair for the dramatic.

“I’ve always been interested in fashion,” he explains. “When I was growing up my dad used to take me into Central London and we’d look around high-end shops like Vivienne Westwood. I’d make dreadful things back then. I attempted to make a corset for a girlfriend of mine from some old soccer shin pads. Needless to say, it wasn’t very good. My Mum found it recently. She was like, ‘What the hell is this?’”

After moving to Vancouver in his late teens, David soon learned how to locate like-minded individuals. A big part of that was finding a Fashion Design Program that fit his personality and career aims.

“When I first moved to Vancouver I was quite punk. I missed seeing people have their quirky styles. There are creative people. You just have to fish them out. I did some research on Fashion Schools, and Blanche Macdonald stood out to me. It seemed like an overall good package. Everyone told me that it would be a lot of work and consume my life, but I was ready for that” explains David.

“It was hard. I had a roommate at the time and our whole living room was full, wall-to-wall, of projects and paper and fabric for the entire year. I remember the final Fashion Show always seemed like it was months away. Suddenly, our instructor said, ‘We’re going to start sewing tomorrow’ and everyone jumped out of their seats. I’d picked one of the most difficult garments to make. It had fibreglass wires within its construction. I panicked but it got done.”

_{Photos courtesy of Slice TV}

The future Stitched Fashion Designer had honed his ideas into incredible garments at Fashion School. After graduation, it was his refusal to settle for the conventional that got him noticed in Vancouver’s fashion circles.

“I knew it would be a struggle,” he admits. “My designs weren’t your conventional Vancouver looks. They were quite outrageous. But I knew, no matter what, that I wouldn’t compromise my designs. I did a lot of showpieces for stage performers and drag queens. My first big job after graduating was a big fibre-optic piece for a drag queen called Raye Sunshine for a New Years Eve performance. She was lowered down on strings, someone flicked a switch and the whole dress was lit up! After that I did a spiked leather jacket for Steve Bays of Hot Hot Heat for a music video. Everything was through word of mouth. It was something different that Vancouver wasn’t used to. The ball just started rolling.”

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Vancouver was a great city, platform and starting point

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That ball eventually came to rest with a rapturously received debut collection show. Two years in the making, it was an evening offering confirmation that all his hard work was time well spent.

“That show made a statement of who I was. When you’re doing your first collection you want to do everything. Being a designer is more sweating over a machine than glamour. I knew what I was getting into. Designers come out on the runway after their shows and you can see that

they’re haggard and have been up for nights sewing and putting on buttons.”

_{Photo courtesy of Slice TV}

David had arrived on the Vancouver Fashion Scene and stayed busy, designing for clients including Jody Claman from the Real Housewives of Vancouver and Josh Ramsay of Marianas Trench. He’d grown into a big fish

in the Canadian West Coast fashion pond, but the time to dust off his British passport and return to his London roots had arrived.

“Vancouver was a great city, platform and starting point,” David insists. “But I had bigger dreams. So I put my entire life in storage and bought a one-way ticket to London. I needed to start at the bottom again. I didn’t even know where to buy thread or fabric. I had no equipment and no clients. I would knock on everyone and anyone’s door. I had no option but to push forward. I emailed every fashion house and stylist I could get hold of. Claudia Behnke styled for London Fashion Week. She put me in touch with some good people. I was around fashion forward people all the time. Being back in London gave me my buzz back.”

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I’d always loved underwear and latex. When dad used to take me into Camden Town I’d see the fetish shops. As a 15-year-old I thought it was nuts.

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Inspiration rediscovered, David’s next step was more practical. He needed to earn some money.

_{Photos courtesy of Slice TV}

“I wanted to create a London-based brand and a business that could expand. My passion is making one-off garments, but in the long run I needed to make something I could put in shops and grow into a proper business.”

That marriage of passion and pragmatism bore fruit in the shape of Men’s Underwear line Jack.

“I’d always loved underwear and latex. When Dad used to take me into Camden Town I’d see the fetish shops. As a 15-year-old I thought it was nuts.”

David’s original plan was to create both a men’s and women’s line, but when men’s underwear stores in London and Berlin starting stocking and restocking his collections and his own online store started blowing up, the future of the business became clear.

“Anything that I design is always going to stand out. This isn’t Calvin Klein! I don’t think like that. People asked me, who’s going to wear latex underwear? You’d be surprised! Where they’re wearing it, I don’t know!”

Relocating to a new country and starting a new business weren’t quite enough challenges for David. When an email arrived asking him if he’d be interested in appearing on Slice TV’s design competition Stitched, he could only say no for so long.

“I thought I didn’t want to do a reality fashion challenge. I would watch Project Runway and feel such anxiety for the designers. I ignored the email for two months but I eventually realized it could be a good opportunity.

“I did a few Skype interviews with the Production Company and they offered to fly me to Toronto. It was a four-day long process. All the designers had our phones taken away and for the duration of the show we lived in a house together. I was so nervous because I felt I was out of practice. I hadn’t pattern drafted a garment from scratch in two or three years. I’d just launched Jack so I was worried I’d get eliminated and look like a fool. But in the end I loved it! It was so fun and such a good challenge. I learnt a lot about myself too: not to be afraid to jump in the deep end.”

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I could never do a 9-to-5 job. I’m not that kind of person

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Over the course of three challenges, David’s willingness to design from the heart provided the winning edge. After successfully crossing unfamiliar territory with a Vivienne Westwood/Burberry-style jacket for men, he overcame the difficulty of the ‘Yard Sale Challenge’ with an 80s-inspired neon prom dress, despite his initial reaction to the less-than-high-quality materials provided, “I wanted to see some fabric, not a load of shit!”

For his final challenge, titled ‘Flight of Fancy,’ David needed to create a couture runway gown inspired by birds. Over ten tough hours the Stitched fashion designer crafted a runway-ready dress that the judges commended for it for “impeccable workmanship,” gleefully declaring that it was “so over the top it practically soared.”

_{Photo courtesy of Slice TV}

“When my final design was revealed, and I was named the winner it didn’t even register. It had been such an intense four days—from six in the morning until midnight—and they were filming and asking questions the entire time. You’re trying to make something and you’re on TV, so you need to look and sound good. They were supplying us with Red Bull all the time!”

The future remains beyond bright for David. From haute couture to underwear to reality TV, he triumphs in every field he turns his creative hands to. Most importantly, he’s enjoying every minute of it.

“I love that I’m in control of what’s going on. It’s my vision and I’m not answering to anyone. I could never do a 9-to-5 job. I’m not that kind of person. Of course, the photo shoots with half naked men in my underwear are always fun too.”

2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Fashion Design Grad David Jack Talks Couture, Underwear and Becoming Reality TV Royalty appeared first on Blanche Macdonald Centre.

For makeup artist to the stars Jonathan Seti, variety really is the spice of life. His work on some of the world’s most recognizable faces has appeared on the front cover of Vogue and Vanity Fair. He’s been Key Makeup Artist at the MTV Music Awards and the Latin Grammys. He’s been Department Head for major productions like Show Dogs and Top Gear America. He’s even groomed a pair of American Presidents (“Not the current one!” he points out). Not bad going for a man who only decided his future lay in makeup after one particularly successful Halloween party.

“My sister has a Halloween-slash-birthday party every year,” he explains from his New York home. “I did an intricate makeup costume for my brother, similar to Darth Maul from Star Wars. Everyone at the party loved it. My brother said, ‘Why don’t you go to school for this?’ The next day I started looking for schools on line.

“I requested some information from a few schools and the very next day Mary Hombrebueno from Blanche Macdonald called me. A year later I was in Vancouver.”

Not only had Jonathan put a well-paid job as a property manager in Las Vegas on hold, he was moving to Canada to pursue an entirely new career. Daunting on paper, but the future makeup artist to the stars had come prepared. “I knew I’d made the right decision before even I got to Makeup School, because I’d spoken to Mary and the Head of the Makeup department on numerous occasions. People there didn’t know me, but they already believed in me. They could hear in my voice how excited I was about taking the program.”

Jonathan had come to Vancouver with dreams of a career in special effects makeup. But the longer he spent at Blanche Macdonald the more he realized that he was excelling at the beauty side of the business too.

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Instructor Sydney Silvert was very influential in the way I think about makeup.

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“I was lucky enough to have some great teachers at Blanche Macdonald,” he recalls. “My fundamentals teacher, Sandra Anderson, was a lot of fun. I did a hair course. I’m six foot four and with the size of my fingers it wasn’t easy, but I had Michelle Morrison as my teacher who was one of the coolest people I’ve ever met. And then I met Sydney Silvert. I can honestly say he was very influential in the way I think about makeup. I knew I was in the right place because my work was making me smile after every application. I’d think, ‘Wow, I can’t believe I just did that.’ I was working on a movie soon after I graduated when I stopped and said ‘Oh my God, Sydney was right!’ To see everything that he said actually come to life was so right on.”

Since graduation Jonathan’s skills have been in almost permanent demand. He returned from Vancouver to Las Vegas, when he quickly became one of Sin City’s leading Makeup Artists.

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It was myself and the two other makeup artists, Hillary Clinton, Barack Obama, John Edwards and four secret service men. I remember thinking, is this real?

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“I was the Key Artist for the MTV Video Music Awards. That was phenomenal. People were offering me $1,000 for my Access All Areas badge. That turned into me being the Key Artist for the Latin Grammys. I personally had to make up the tenor Andrea Bocelli in his dressing room while he was warming up his voice. People pay thousands of dollars to see this man perform, and I had my own private show.

“I worked with CNN when they came to Vegas. The first time was over All-Star Weekend when the NBA was in town. I got to do makeup for Wolf Blitzer and Magic Johnson, Charles Barkley and the mayor of Las Vegas. For the Democratic National debate I got a call from CNN’s Head of Makeup and did the makeup for John Edwards and Barack Obama. We had to hop on a trolley from the dressing rooms to the debating hall. It was myself and the two other makeup artists, Hillary Clinton, Barack Obama, John Edwards and four secret service men. I remember thinking, is this real?”

Even though Jonathan had arrived at Blanche Macdonald with the ambition of becoming a TV and film makeup artist, he’d soon established himself as a renowned events specialist. In his typically optimistic manner, he grasped the opportunities while refusing to abandon his long-time goal. “You take what you can when you’re trying to make a name for yourself. Those live events turned into taped events and then turned into movies. It took off and it never stopped.

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Actors are in character the entire time they’re on set, so if you even call them by their real name, that could be a problem.

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“The biggest money-maker I worked on was Jason Bourne. There were a lot of nights in cold weather over seven months on that. White Boy Rick with Matthew McConaughey was a fun movie to work on. So was Show Dogs with Will Arnett and Natasha Lyonne. It was interesting to see how a movie like that is made. I love dogs, so being able to work around them and people like Will Arnett was a wonderful thing. He’s as funny in real life as he is on screen.”

Jonathan’s ability to patiently put his passion for effects makeup on hold finally paid off when he landed the position of Special Effect Specialist for the series The Following.

“Any time I get to do effects I love it. For The Following I did a lot of head casts with actors who weren’t used to it. It’s claustrophobic to have a mould of your head taken. It’s a 45-minute process with straws up their noses so they can breathe. Sometimes you need to hold their hand or put your hand on their back. It’s getting to play Halloween and getting paid for it.”

Keeping the oxygen flowing to The Following’s cast is typical of the creative and interpersonal challenges this makeup artist to the stars faces on a daily basis. Thankfully, his years of experience have made him an expert in the art of Actor/Makeup Artist relations.

“You let the actor dictate how it goes. The first day you meet an actor, you’re starting a relationship. You have to go in expecting nothing. The actor needs to remember lines, so a lot of the time, with method actors especially, you’re not going to be talking to them at all. They’re in character the entire time they’re on set, so if you even call them by their real name, that could be a problem. As a Makeup Artist you have to be on top of your game every day to not disturb the actor.

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Take the best Makeup Artist in the world with a poor attitude and a mediocre Makeup Artist with a great personality, the mediocre artist is going to get the job every time.

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“At the same time I couldn’t work a job where my personality couldn’t show a bit. I love meeting people and finding out what they’re about. Not because they’re celebrities, but because their lives and how they live are interesting. I’m curious to find out what the real person is like. That’s 50% of the job. The other half is the creativity and the artistic side. When you’re in a trailer for three months on a movie, you’re with actors and the other Makeup Artists. There are going to be arguments, tears and laughter. You need a bit of drama so there are things to laugh about later on.”

Jonathan’s happy to let his personality shine through. His personable, can-do attitude is at the heart of a success story that’s gone from strength to strength since he moved back to his native New York.

“If you take the best Makeup Artist in the world with a poor attitude and a mediocre Makeup Artist with a great personality, the mediocre artist is going to get the job every time. They can do the work and won’t cause drama. Personality is number one. I’ve been very fortunate to be in the right places at the right time. I’ve left the right impression with people to get to the next levels.

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It’s essential to have a thick skin doing this job. People will say ‘No’ to you your entire career. Take negativity and turn it into fuel and positivity.

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“Makeup Artists are like bartenders for actors. They’re coming into the trailer to see you and they might be upset with something that happened on set. It might be taken out on you. You’ll hear stuff that you don’t want to hear. You can’t take it personally. You need to move on.

“It’s essential to have a thick skin doing this job. People will say ‘No’ to you your entire career. Take negativity and turn it into fuel and positivity. It’ll help you be the best you possibly can be. So many people told me ‘no’ over the years. I sent a lot of those people signed copies of my first Vogue cover!”

2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Makeup Superstar Jonathan Seti Gets Creative with Presidents, Pups and Pop Idols appeared first on Blanche Macdonald Centre.

London’s Covent Garden is a long way from Vancouver’s Avant Garde salon, but for Blanche Macdonald graduate Stacey Paskall, a transatlantic trip to face off with some of the world’s best stylists in a high calibre hair competition was a creative journey well worth taking.

“My colleague, Martha Pritchard, and I had created this collection we called Hairigami!” explains Stacey. “It took six months to put that together, laying it on the floor to stick it all together. We sent the photos to the Contessa Awards and made the semi-finals in the Multicultural Stylist category. We were pleased but Jon Paul Holt [owner and Head Stylist at Avant Garde] thought we should send those photos to the Alternative Hair Show, which is held in London. I didn’t think anything of it, but we ended up being named as one of the top ten in the world and were the only Canadians to reach the final. Jon Paul asked if we wanted to go to London. Yep!”

Stacey and Martha didn’t win at the Alternative Hair Show, but competing was an adventure in itself. Packing their chosen hairpiece (carefully) in their suitcases, a three day expedition to the UK was highlighted by a backstage pass snafu that required London-based Blanche Macdonald and Avant Garde alumnus Janeen Witherspoon to make up their model in a nearby Starbucks before they unveiled their creation to a packed audience of top industry professionals in the historic Freemasons’ Hall.

“It felt amazing and almost surreal. It still feels like a dream. No one from Avant Garde had ever made it to the Alternative Hair Show finals before us, so it was a big achievement.”

Stacey has grown used to achievements. In addition to her successes at the Contessas and Alternative Hair Show, she finished in the Top Three at the Goldwell Upstyling Competition (“Aubrey won!”) and has worked behind the scenes on countless shoots and fashion shows. Creative challenges are a way of life for the team at Avant Garde, one of Vancouver’s most cutting edge salons. It’s a long way from Stacey’s childhood growing up in a distinctly non-hair orientated environment.

“My Mom didn’t do anything with her hair. I used to pretend to put rollers in her hair when I was about eight. It was a bonding experience I guess, but I enjoyed the experience and years later I would always do my friends’ hair in high school for dances or any kind of event. I enjoyed the way people would feel afterwards.

“In high school we had to do work experience and I chose a salon. I thought I could see if I liked it as a possible career. I did 40 hours and I knew it was for me. The environment was cool and I enjoyed taking care of people. After high school I started working in retail and eventually became a manager, but in no time at all I was so sick of it. One day I went home, Googled ‘Top Hair School in Vancouver’ and Blanche Macdonald was the first page that came up. I was like, ‘Mom, I’m signing up for Hair School!’ She was shocked but happy for me.”

It only took one visit to Blanche Macdonald to convince the aspiring stylist that this was the Hair School for her (“It was amazing. Everyone seemed so creative.”).

Even so, after the initial joy of receiving her equipment on Day One, it didn’t take long for Stacey to understand that in order to truly excel, she needed to put the work in. “Getting the box of equipment was like Christmas but to be honest the program was harder than I’d anticipated. There was a lot more studying. I didn’t expect the textbook to be that big! But at the same time it was great that everything was being explained in depth. That was awesome.

“Seeing real clients at Hair School was definitely nerve-wracking at first but after a few times I realized I was ok at this. It seems like a lot of responsibility, looking after someone’s hair. But if you’re in control it’s comfortable. Even if it’s a slight trim, it still makes people feel good about themselves. When they compliment your work, then you feel good about yourself.”

Stacey was receiving professional compliments too. She had secured a position for herself at Blo Blow Dry Bar while she was still a student and, after a day and a half of work experience at a Kitsilano salon, she was offered another job. Neither was the perfect fit for Stacey, so she asked Phil Loiselle, Blanche Macdonald’s Hair Program Director, for his recommendation. He suggested Avant Garde.

“I dropped off my résumé, had an interview the next day and got hired! I knew about Avant Garde’s reputation, so it was a little intimidating. It’s not like a typical Kitsilano salon. I was intrigued because I knew they did so many shoots and fashion shows.”

Phil had been proven correct. Avant Garde was Stacey’s perfect fit. Since that first nervous interview, she’s taken every opportunity thrown her way. Whether it’s adding the finishing touched to contestants’ hair on Slice TV’s ‘First Dates’ or working backstage at Vancouver Fashion Week, whatever the challenge, Stacey’s excited to accept.

“As soon as I started here I would volunteer to help on shoots so I could learn as much as possible. I volunteered at Vancouver Fashion Week and was enjoying all of it. It’s more creative than working with clients in the salon. For a shoot or a show you’re not doing hair that someone would necessarily wear every day. It’s more creative, which helped me get better as a stylist.

“It’s great to have other opinions when you’re working on fashion projects. If you’re not open to new ideas you’re closing yourself off. Photographers know photography, so they understand what will look good. At the same time, photographing hair is different from regular fashion photography, so I have my input too and make sure that we focus on the hair as well as the image. Jon Paul has been an amazing mentor. He lets you do your own thing but he’ll give his opinion at the same time.”

Cutting-edge creative hairstyling is one of Stacey’s passions. So is looking after her clients on daily basis. The art of client satisfaction is another of her specialities.

“For clients the most important thing is that they feel taken care of. You can be the most amazing cutter or colourist, but if you can’t take care of clients they won’t be coming back. I’m there for them, listening to what they want and don’t want. Little things like hanging up their jackets with care and making coffee are important. It’s simple stuff. It was all explained to us in Hair School. Jon Paul is big on making sure clients are taken care of, so those ideas were reinforced. Customer service is key!

“Your people skills are 80% of what brings clients in. Hair skills are only 20%. For example, when I’m doing bridal work, it’s a time where people can be very high strung. You need to stay calm and make everyone feel that it’s all going to be ok. I have a calming personality, so people feel comfortable around me. I don’t get stressed out easily. That energy flows to other people. Of course you should have the technical skill, but people will come back to you when you make them feel special and important. It’s still rewarding having people tell me how good they feel every day. It’s amazing that you can make someone’s day just by doing their hair.”

2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Pro Hair Grad Stacey Paskall: Queen of the Avant Garde appeared first on Blanche Macdonald Centre.

Balancing a bustling freelance nail career with teaching and a healthy obsession with Cardi B’s nails, Alejandra Ramazzini has found an outlet for her love of learning and sharing information in Blanche Macdonald’s Nail Studio classrooms. Always researching the newest trends, travelling and gathering as much inspiration and knowledge as she can, Alejandra shows just how portable, profitable, and global a career as a Nail artist can be.

How do you balance being a teacher and your freelance job?
Having the opportunity to be my own boss gives me the flexibility and ability to organize my own schedule, which is awesome! The Nail Studio program is Tuesday’s and Sunday’s, and the rest of the week I work out of my private studio. I love being able to make my work schedule fit into my life. This is how I have found my healthy balance between teaching, doing nails, and my personal life!

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Everything just felt right when I stepped into the Nail program. It encompassed everything I love, it was creative yet technical. I could be my own boss and perfect my craft. I could be independent and still interact with people, which I loved. It was everything I was looking for.

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What excites you about being a Nail Instructor at Blanche Macdonald?
What initially drew me to Blanche was their professional approach to the programs. I respected that “you will get out of this program what you put in,” and that’s really it, and that’s still what excites me. The program is fast-paced, intricate and requires focus and detail-oriented work. We work at the highest sanitation requirements. (Proper sanitation is serious business in our classrooms!)

I truly appreciate the journey that a student has from their first day when learn how to properly hold a nail file, to seeing them open their own nail salon after they graduate. It’s so remarkable what someone can achieve with perseverance, practice and patience.

How do you balance the technical aspects of Nails while also being creative in the classroom?
The majority of our program is technique-based because that is really the most crucial part about being a great nail artist and being a professional at your craft. The cherry on top is the Nail art! I encourage all our students to be themselves in everything we teach so that their creativity will flourish even while learning the fundamentals.

With practice and time, students find their style, voice and creative freedom. Even in perfecting their shaping, I want the students to make sure they feel like it’s their work and not just following steps they’ve memorized. Students should be excited to put themselves into the work no matter what it is, whether it’s picking a colour or creating nail art. Try everything, keep your skills up-to-date, read nail magazines, research on social media. It’s so important to take all of that and pour it into your craft.

What kind of students do you usually come across in the Nail program?
For the most part, our students are very open and looking for ways to be creative. While some are more naturally talented and some are more technically talented, they are all looking to express themselves in a creative way. Many want independence in their careers and are looking for an industry that will continuously challenge them. That’s the great thing about being a nail artist– you’re always growing and learning.

Through social media, our students often come in with an understanding of the technology or industry that they’re eager to build on. There is such a wide range of opportunities for a nail artist. A lot of students come in ready to be their own boss. They want the independence and flexibility that I have or that their other nail instructors display.

The Nail Industry is incredibly innovative and is always evolving. How do you keep up-to-date with this rapidly-changing industry?
As instructors we stay in the loop through social media. There is so much information and learning to be done via social media. Most of my information comes from online, I follow lots of nail artists and watch lots of videos on YouTube, Instagram and Facebook. I’m also obsessed with Vogue magazine. I always look at their editorials for inspiration and to check what’s on the models’ nails. I live breathe, and sleep nails. I sign up to everything, I’m always getting updates and emails about upcoming trade shows, classes and I love meeting other nail artists to share our experiences.

The best part about Blanche Macdonald is that the majority of the instructors are working artists. We are able to bring whatever is unique to us into the classroom. We don’t just re-iterate information. Simona [our Esthetics Director] is incredible at allowing us to always bring our passion and research into the classroom. She’s really the reason the Nail Studio program is so cutting edge and incredible!

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Our students are all looking to express themselves in a creative way. Many want independence in their careers and are looking for an industry that will continuously challenge them.

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How did you get started on your own Nail journey?
Initially, I studied Fashion Marketing and Design. I’ve always been creative and artistic. When I was young, I was consumed by art. In high school, I was interested in the makeup program at Blanche Macdonald. Then, the possibility of being a Nail artist called to me because it offered the opportunity to have flexibility and ability to use the skills I had learned in the fashion program.

Everything felt right when I stepped into the Nail studio program at Blanche Macdonald. It encompassed what I loved, it was creative yet technical. I could perfect my craft and be independent and it challenged me. It was everything I was looking for!

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The best part about Blanche Macdonald is that the majority of us are working artists. We are able to bring whatever is unique to us into the classroom.

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What made you finally take the plunge and start your own studio?
I was working at a salon and I got really sick and had to go on medical leave. Within days, all my clients got in touch with me and said if they couldn’t see me, they would take their nails off! I had always wanted to have my own space and this basically catapulted me to get my own space set up ASAP. Having my own space has allowed me to get back to being myself– it’s been really incredible.

What is one of your biggest accomplishments?
I had the opportunity to do nails for Catherine Zeta-Jones. That was pretty awesome!

How would you describe your approach to nails?
I treat nails like artwork, because that’s what a nail set is. You create something out of nothing, so it has to be a perfect every time. The only way that can happen is to do it from your heart.

What are your favourite kind of nails to do?
Super long nails.  They really are the perfect nails! For a long nail set with all the sparkly toppings to look good, your nail set has to be perfectly prepared, built, shaped, polished and finished! Long nails will only last if they were done by an experienced nail technician.

Tell us who your nail idol is.
I admire so many people in our industry. Currently, I’m so excited to see Cardi B’s nail style trending and representing nail culture!

What is the best thing about doing nails?
My clients! They bring out the best of my craft. Having a positive vibe creates a perfect environment for being creative and expressive.

What is your favourite nail brand to use on your clients?
Akzentz!!! Simply because they’re incredible and the fact that they are also local is awesome!

Tips to build a solid client list?
Social media these days is the key to everything!

What is the biggest nail-care mistake people make?
Not understanding the importance of the natural nail. Our nails are part of our body. They deserve love, care and attention. You can’t have artificial nails on a damaged natural nail. Make sure you have a certified nail technician working on your nails.

What is something you wish more people knew about the Professional Nail Industry?
We are a community of people who love what we do. We work hard and we are all very educated. We have to be, to do what we do. We work with humans, and are responsible for their hands and feet. That’s a lot of pressure! Nail technicians and nail artists are an important part of society. We help people feel better and encourage self care!

You are a major traveller. How does that translate into your Nail career?
I’m always researching where I could potentially work and learn and really there is no limit. It’s international. Art doesn’t require language translation, neither does the feeling of a new set of nails! New York is a my inspiration hub. I go there to fuel up, pick up supplies, get my nails done and check out street nail art styles!

If you could give some career tips for success as a freelance artist who owns their own nail studio, what would they be?
Be yourself,  be honest and prepare to work hard. Success is measured on your own accord. That word means different things for everyone, so figure out what you want your success to look like and jump in!

2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Nail’n it: Alejandra Ramazzini on Life as a Nail Studio Instructor and her thriving Bodega Nails Studio appeared first on Blanche Macdonald Centre.

With her mastery of edgy editorial beauty, glamorous special events makeup, and even hairstyling, Sandy Na is arguablyDa Vancouver’s most versatile Makeup Artist. At the helm of her own freelance business, S.N. GLAMOUR Makeup and Hair, she has perfected every conceivable type of look. Her raw talent and incredible eye for detail have earned her loyal clientele, adoring fans, and accolades from esteemed makeup experts – including being crowned Beauty Specialist of the Year at the British Columbia Hair and Beauty Awards.

When it comes to beauty, Sandy’s talent is limitless. So it may come as a surprise that makeup is actually her side gig! During the week she works as a flight attendant for Air Canada, jetting off to exotic locales and attending to passengers 30,000 feet in the air. Sandy fell in love with this line of work, but she also had an undeniable passion for beauty that was too strong to ignore: “ever since I was a kid I’ve admired makeup and beauty. Naturally, I have a strong sense for colour coordination, and I’ve always been fashion minded. Eventually I knew that I had to give makeup artistry a try!”

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I love these two jobs because I’m always meeting people from different parts of the world, who come from different cultures and backgrounds, and who have different appearances.

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With newfound determination, Sandy enrolled in Blanche Macdonald’s Freelance Makeup program. Taking classes during her downtime, she was able to hone her natural talents, learning the skills that she now uses on a daily basis including airbrushing, makeup for fashion photoshoots, hairstyling, headshots, and bridal beauty.

After graduation, Sandy quickly began pursuing both of her passions full time. And while on the surface it may seem her careers have little in common, she explained that her work for the airline helped to intensify her passion for makeup.

“Being a flight attendant, grooming is an essential part of the profession,” she explains. “I always make sure my makeup and hair are properly set before each flight. It’s just part of the role.” The focus Sandy put on her own hair and makeup only helped her love for her artistry to grow stronger.

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Patience is important. I have to be able to listen to a customer's needs and expectations.

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Sandy also believes that both jobs are rooted in discipline: punctuality, patience, and personal connection play a large part in both roles.

“Punctuality is very important. Reporting on time to check in prior to flight briefing is vital. Same goes for my makeup clients who have weddings, parties or events that they have to attend.” She continues, “patience is important for both jobs. I have to be able to listen to a customer’s needs and expectations,” a task that frequently requires a lot of patience and understanding.

But for this versatile Makeup Artist the most important commonality is that both positions depend on interpersonal connection.

“I love these two jobs because I’m always meeting people from different parts of the world, who come from different cultures and backgrounds, and who have different appearances,” she smiles. “Traveling allows me to connect with new brands, trends, fashions, and designs. This helps me improve and update my skills.”

With so much on the go it’s hard to picture how Sandy can manage it all, but she explains that she’s found a system that works for her.

“I fly anywhere from nine to twelve days a month, so planning and going in with a strategy helps me balance two busy jobs. Luckily, I’ve been able to manage my schedule so that I fly during the week, which leaves me the weekend to handle any makeup jobs like weddings, special events or private lessons.”

This balancing act has paid off in spades. S.N. GLAMOUR is one of the most beloved beauty service providers in the city and it’s given Sandy the opportunity to work on exciting, high-profile projects, including Vancouver Fashion Week.

“In July 2018 I was invited to [work at] Vancouver Fashion Week as a Key Hairstylist. The following year I was chosen as the Key Makeup Artist for the Spring/Summer shows, and now for the upcoming Fall/Winter Vancouver Fashion Week, I will once again lead a talented team of Makeup Artists backstage.”

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Planning and going in with a strategy helps me balance two busy jobs.

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And it’s not just Vancouver’s sartorially inclined that appreciate Sandy’s work. She was recently honoured at the inaugural British Columbia Hair and Beauty Awards with the award for 2018’s Beauty Specialist of the Year. This versatile makeup artist describes the significance if this career-defining moment as her biggest affirmation.

“It’s a recognition of my makeup. It gives me a boost of energy [and it] will definitely improve my confidence to face various new tasks in the future!”

One of the most remarkable things about Sandy is her refusal to restrict herself. With so many dreams to pursue, nothing will hinder her from achieving her goals. She’s multifaceted, supremely talented, and dedicated to her craft. There is no telling where life will take her because for Sandy the sky is not the limit; it’s just the beginning.

2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Jet-Setting Makeup Artist Sandy Na Brings Beauty to New Heights appeared first on Blanche Macdonald Centre.

Michelle Dubois didn’t grow up with a master plan to ensure that one day she’d be a Medical Esthetician at a prestigious dermatology clinic like Pacific Derm. Far from it. She’d already carved a life for herself, waitressing in various cities around Western Canada for nearly 12 years, when a handful of conversations with friends opened her mind to a new career and a radical change.

“I’d always struggled with acne,” she explains, “so I was interested in skincare, even though I never pictured myself as a Medical Esthetician or doing this for a career. I had friends who were Estheticians in spas, so I would ask them about my skin and they would give me tidbits about treatments like microdermabrasion. One of those friends had started her own business. I thought that sounded cool, so I started looking at schools.”

Every journey begins with a single step. For Michelle, searching for the perfect Esthetics School was the start of an adventure that began at Blanche Macdonald, ended at Vancouver’s Pacific Derm and continues to inspire her and her patients on a daily basis.

“I’m a Clinician so I assist the doctors and perform device-based treatments. I do photodynamic therapy [PDT], Intense Pulsed Light [IPL] treatments, vascular and Fraxel treatments, as well as Thermage, which is a skin-tightening procedure. Everything we do is physician-directed. The doctor will define the laser settings and then I’ll perform the treatment. I work very closely with the doctors daily.”

Education and research are key components at Pacific Derm. Supported by a skilled team of dermatologists, dedicated research team, and clinical team leader, their guidance and expertise has helped Michelle develop into a key member of the Pacific Derm team. Along with providing the actual treatments, it’s her job to ensure that patients gain an essential understanding of the treatment they receive, pre and post care, including how professional-grade skincare products can help to maintain skin health and treatment results.

“One of my most important responsibilities is to educate my patients about their skincare. Whatever their concerns, I love explaining the treatments and the skincare products that I know will help them.”

It’s not surprising that Michelle has a passion for education. It’s been a constant theme in her life since her first visit to Blanche Macdonald.

“Blanche has a solid reputation and when I first visited the school I could tell there were good vibes. Everything felt right. I instantly became excited about learning and new possibilities.”

“I wasn’t a science nerd at all. I didn’t do that well in high school. I was always distracted. But I made a 180-degree turn and did really well at Blanche. I realized my passion and found the experience so interesting and fulfilling. I wasn’t planning on entering the medical side of the industry at first, but a guest speaker came in to talk about lasers and I became excited. Then we started learning about the science of skin, and that’s when my passion was sparked.”

Inspired by the science she was discovering, Michelle decided that her ideal future career would be as a Medical Esthetician working in a bustling clinic. She didn’t have to wait long after graduation before her opportunity arrived.

“I was looking on-line and applying for jobs. I went to see [Blanche Macdonald Esthetics Director] Simona Gozner and explained what I was looking for. A few days later she wrote to me with good news. Pacific Derm had contacted Simona looking for someone and she had recommended me. I did an interview and a shadow shift and it took off from there. I’m doing exactly what I envisioned. I love it. I couldn’t be in a better place.”

Michelle has been a vital member of the Pacific Derm team for over a year now. Starting as an assistant – taking patients’ photos, cleansing their skin and preparing them for the doctor’s arrival – now she’s providing a range of medical esthetic treatments. It sounds like a steep learning curve, but, of course, Michelle has received extensive training and mentoring at Pacific Derm. She also insists that she was well prepared before stepping through Pacific Derm’s doors.  

“My education at Blanche Macdonald covered many of the skin conditions we encounter here. When I started at Pacific Derm my first task was to shadow the doctors’ and clinicians’ appointments. It was exciting because I was hearing the terms and skin conditions I’d learned at Blanche. Of course, there’s always more to learn but I definitely had a good foundation. I’d been taught what’s happening on a cellular level, and I need to understand that here. I talk about it every day. Everything we learned about the science of the skin is what I’m doing on a daily basis. I wouldn’t know what the doctors were talking about unless I’d been to Blanche. The program definitely gave solid fundamental knowledge to enter the medical field. When I was in class I didn’t really believe that I was going to use all the stuff I learned. But I use that information every day! I still look at my old notes sometimes.”

That scientific knowledge is accompanied by another skill set Michelle picked up at Esthetics School: the ability to create a safe and serene space for patients.

“Simona and instructors like Cristina Cesa do more than make people feel comfortable. They’re mindful of their energy and the effect that has on people. As a Medical Esthetician it’s important to develop a trusting and comfortable relationship with people. A successful therapeutic relationship needs to include being sensitive to a patient’s feelings about their individual concerns, including both physical and emotional aspects.

“We strive to really get to know our patients. It’s important to make genuine connections. Once a rapport is established and I’ve earned their confidence, patients frequently request repeat treatments with me. It’s so cool to participate in a patient’s journey. It’s professionally satisfying when they come back and are happy with the results. I credit Simona and Cristina for instilling in me the importance of harnessing calmness and confidence as key elements of optimizing patients’ results and experiences.”

“It’s essential, especially when I’m doing a laser treatment, that my patients trust me. Although we provide the treatments here, our patients always have homework. It’s important that they feel we’re working together. The skincare products we sell at Pacific Derm are carefully selected based on science behind the active ingredients and reputation of the manufacturers, and they aren’t cheap. The value of these products is beyond monetary. We consider them to be part of a long-term investment in maintaining skin health. Patients need to trust us and be comfortable with our recommendations. We talk about their concerns and it’s my job to educate them. When they see results from the recommendations come true, they start believing.”

Remarkably, Pacific Derm is Michelle’s first position as a Medical Esthetician. For now, she’s enjoying herself too much to even think about a change. “I’m going to stay here for the foreseeable future,” she smiles. “I want to build my career here. I feel blessed. Dr Rivers, our Head Dermatologist, is so patient and loves to educate. Sara Kawamura, our Lead Technician, is the best person I could have asked for to continue my education with. It’s incredible working here. I love what I do and there’s so much more to learn.”

2019 Start Dates

Complete an online application to register for a seat in our upcoming start dates! Below is a small sampling of our current start dates, more of which are available upon inquiry. Our Admissions Directors are available to help you find the best date to suit your schedule and goals.

*Co-op Work Experience options are also available for International students, allowing you to work and study in your industry of study!

The post Esthetics Grad Michelle Dubois Lasers in at Pacific Derm appeared first on Blanche Macdonald Centre.